Michael Hyde

I was massively impressed with the sheer effortless artistry that this record showcased. Kim Dracula flows flawlessly through orchestral music into RHCP style vocals over Flea-like bass riffs followed by rap, pop, ska, jazz, industrial, trap, emo, metalcore, and more. This is audio-schizophrenia in the BEST way possible; Kim Dracula nods to styles the like of Ghostemane, Manson, Ronnie Radke, Elvis, Korn, and Ninja Sex Party, and so much more without ever feeling like they’re mindlessly imitating. This, is conjunction with their tongue-in-cheek social criticism and dark wit, make this an album as stimulating to the mind as to the ears. For maximum enjoyment, I recommend listening to album start to finish. 11/10 recommend!