Riveting because of its stellar cast, first rate dialogue, and dramatic evisceration of the bogus concept of “core truth” ( you’ll have to watch to the end). The court scenes are compelling, despite an opportunity that went begging on the cross examination of the rape complainant and was inexplicably left for defence counsel’s closing address to the jury — when she said “not here” in the elevator, the complainant meant “yes” to the sex and “no” to the elevator.