Gregoire Mauvais

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Signalis

Creep

I deleted the game I realised that I was becoming addicted to it because of its harsh punishing system No story unless you want to spend countless hours trying to decipher it And it goes the same way for the gameplay: do you have a life ? Well forget about it because this game assume that you don't and that you're supposed to spend all your awake time training your skills to "git gud" as the lovely community loves to point out Let me tell you what other things you could do instead of dedicating your time to this game : Going to the gym or practicing a sport Learning a new professional skills Spending time with your family/friends/kids Learning a new language Reading Walking in nature Cooking Playing actual good games Mediating Learning to play an instrument Learning to play chess... Etc Fuck it I'll buy it again perhaps when I'll be 90 years old and have nothing better to do on my deathbed

Dark Souls

Ah, *Dracula* by Bram Stoker—what words might suffice to encapsulate its nature? I must confess, it is not a tome I can, in good conscience, recommend to the general reader. My own experience with it was far from favourable; indeed, it may rank among the most wearisome volumes I have perused in recent years. Undoubtedly, this work is a classic, a veritable cornerstone that has given rise to a vast array of stories and media concerning vampires as we understand them today. Yet, alas, the manner in which it is penned renders it an extraordinarily arduous read (I would heartily suggest partaking of it as an audiobook, should one wish to brave it). The tale unfolds through the medium of journal entries penned by various characters, and there are moments when it becomes exceedingly difficult to keep track of who is writing and when the action is occurring. The narrative is not without its merits, of course. The backstory is quite intriguing, and the setting—steeped in the Gothic atmosphere of Transylvania—evokes a palpable sense of dread, heightened by the mystical reverence the local populace holds for the place. The first third of the book is most thrilling, yet just as one becomes engrossed, the narrative shifts abruptly in both character and setting. To be sure, there are moments that linger in the mind—scenes of genuine terror, particularly those at sea and near the church. However, the overall pacing of the tale is regrettably marred by interminable dialogues between characters, who converse in the ponderous tones of Victorian English. At times, the narrative does evoke emotion, especially during moments of tragedy, but the general tone remains laborious and heavy. One must also mention a particular character—whose identity I shall leave for you to discover—whose insufferable loquacity knows no bounds. His interminable tirades are among the longest I have encountered in literature, and by the story's end, I found myself devoid of any investment in the outcome, trudging on merely to see the final page. I would only venture to recommend this work to those with a deep passion for vampires, the old England, or perhaps cultural history. For others, the journey through this dark and daunting landscape may prove more burden than boon.

Dracula

24 likes

I must preface this commentary with a disclaimer: I am a connoisseur of horror, with a particular penchant for films that explore themes of apocalypse and terror. Thus, it should come as no surprise that "Shin Godzilla" stands as the preeminent entry in the Godzilla filmography. I have a distinct aversion to the American interpretation, wherein the colossal creature is recast as a misunderstood hero with a noble heart, not unlike a batman figure. My preference leans toward realism, human suffering, raw emotion, and grand catastrophes, unadulterated by the embellishments of Hollywood's multimillion-dollar special effects. Turning now to the matter at hand: "Godzilla Minus One." While it is undoubtedly an intriguing addition to the series, it does not, alas, ascend to the pinnacle of its predecessors. The narrative, despite its mid-century setting, offers little novelty: a gigantic lizard emerges from the ocean to wreak havoc upon the Land of the Rising Sun. The Japanese populace, along with the remnants of their armed forces, must confront this menace without foreign aid, due to the ongoing Cold War and the potential for international escalation. The special effects, though perhaps antiquated in comparison to their American counterparts, possess a distinct charm that I found quite appealing. However, I acknowledge that this stylistic choice may not resonate with all viewers. The acting, while generally commendable, occasionally suffers from the exaggerated expressions often associated with Japanese cinema, which left me somewhat bemused. Furthermore, certain scenes of destruction—most notably the subway sequence—struck me as excessively unrealistic and melodramatic, seemingly prioritizing spectacle over substance. Now, to the film's merits: there are indeed commendable aspects, particularly the touching relationship between the protagonist and his endearing adopted daughter. The story weaves a poignant tale of heroism, responsibility, shame, and sacrifice. The film successfully maintains a gripping tension, keeping the audience in suspense and anticipation, a hallmark of any commendable cinematic experience. In conclusion, I would recommend "Godzilla Minus One" to anyone who appreciates a well-crafted narrative with engaging characters and a compelling plot. It is a film that, despite its flaws, offers a thoroughly absorbing experience.

Godzilla Minus One

3 likes

Ah, "The Call of the Wild" — a veritable gem in the tapestry of English literature. One must tip their hat in reverence to the author's artistry, for it is no small feat to craft a compelling narrative solely from the perspective of a canine, without succumbing to the temptation of anthropomorphism. Indeed, to fully appreciate the nuances of this tale, I would advocate for a modest familiarity with the diverse breeds and characteristics of our loyal companions. Such knowledge enriches the reader's immersion into the narrative, lending it a depth and resonance that is truly remarkable. I found myself profoundly moved by the narrative's subtle yet profound shift towards sombreness and maturity, a departure from the expected trajectory of a story centred around a canine protagonist. This unexpected journey, nestled within the pages of the book's middle to its denouement, left an indelible mark upon my consciousness. It is a testament to the enduring power of literature that such a story, seemingly straightforward in premise, can offer such depth and complexity. I cannot help but reflect on the recent cinematic adaptation, which, though I have not yet seen, appears to pale in comparison to the original source material. In conclusion, "The Call of the Wild" stands as a testament to the timelessness of great storytelling, a beacon from a bygone era that continues to resonate with readers of all ages. I wholeheartedly recommend it to anyone seeking to embark on a literary journey of profound significance.

The Call of the Wild

26 likes

Ladies and Gentlemen, I have had the privilege of viewing the cinematic marvel that is *1917*. It is, without a doubt, an extraordinary film. Firstly, the method of filming, which appears as one continuous shot centered around the protagonists, is a remarkable achievement—a veritable masterpiece in the realm of cinematic editing. The principal actors excel in their craft, portraying human emotions with a convincing authenticity amidst the tragic circumstances. Notably, one army officer's descent into madness, overwhelmed by the horrors of war, is a poignant detail that is seldom depicted with such raw intensity in war films, at least in those known to me. The atmosphere at the film's onset is impressively eerie, evoking a sense of the Germans as an omnipresent, unseen horror, akin to a monster in a frightful tale. The filmmakers have done an admirable job in crafting this palpable tension. Midway through the film, an unexpected and tragic turn of events significantly alters the pace. This shift is executed with such finesse that it left me truly taken aback, as I did not anticipate the narrative to venture in such a direction. However, I must address a particular inaccuracy that troubled me: the repeated depiction of Indian and Black soldiers within the ranks of White British troops during the Great War. Historically, non-White soldiers served in separate support companies, and instances of mixed ranks were exceedingly rare. Hence, the portrayal of this occurrence thrice within two companies strains credulity. One might ask, "Why does this matter?" To which I respond, "If it is of no consequence, why then does the film insist upon highlighting it?" This detail seems a deliberate inaccuracy, perhaps influenced by contemporary cultural considerations. Nevertheless, setting aside this voluntary historical inaccuracy, I must affirm that 1917 is an exceptional film, truly deserving of one's time and attention. Thank you.

1917

2 likes

Ah, indeed, the classic in question. Allow me to provide a candid appraisal, for honesty in critique is as essential as praise. Regrettably, I must confess that my reception of this venerable work was not altogether favorable. Despite an initial intrigue sparked by the narrative's outset, I found myself increasingly disillusioned as I progressed through its pages. What led to this disenchantment, you may wonder? Simply put, the narrative's reliance on inexplicable plot devices and unresolved elements left me perplexed and ultimately disengaged. There seemed to be a dearth of substantive explanation for the curious occurrences littered throughout the tale, leading to a sense of frustration rather than enlightenment. It is with a sense of bewilderment that I ponder the lofty status afforded to this work within the annals of American literature, for it strikes me as little more than a whimsical fable tailored for juvenile audiences. Indeed, I had harbored hopes of uncovering deeper layers of meaning within the characters' struggles and aspirations, anticipating nuanced interactions and profound insights. Alas, such aspirations were dashed against the rocks of narrative simplicity, leaving me to confront the stark reality that events unfolded merely for the sake of their occurrence. Do not mistake my critique for outright condemnation; there is merit to be found in the tale's ability to captivate young minds and fuel bedtime storytelling sessions. However, for those seeking a more substantial literary experience, it may prove wanting. It is possible, I concede, that I overlooked subtler nuances and allegorical depths within the narrative. Yet, even with this acknowledgment, I cannot deny the arduous effort required to reach its conclusion, a task I found myself begrudgingly undertaking. In summation, while this work may hold value as a charming diversion, those in pursuit of literary profundity may find themselves wanting.

The Wizard of OZ

9 likes

Allow me to wax poetic about this extraordinary production, which transcends mere television and ascends to the realm of unparalleled excellence. It stands as a paragon of the medium, deserving recognition as not just one of the finest, but perhaps the zenith of television craftsmanship. From the meticulously curated settings to the intricately developed characters and the labyrinthine plots, every aspect of this show gleams with an unparalleled brilliance. Just when one believes the apex of perfection has been reached, the narrative defies expectation, unfurling in unexpected directions that leave the viewer breathless with anticipation. Indeed, it boasts what may rightfully be heralded as one of the most monumental plot twists in the annals of television history. However, let it be known that this is not an experience for the faint of heart. It delves into the depths of human emotion with a gravity that demands profound introspection. Akin to the heavy-hearted fare often associated with contemporary South Korean productions, this show is a profound journey through the complexities of the human condition. In conclusion, it is a masterful creation, a symphony of storytelling that resonates with those whose souls are not burdened by melancholy. I wholeheartedly recommend it to any seeker of sublime entertainment.

Squid Game - Season 1

3 likes

I must express my profound appreciation for this literary piece, an enthralling narrative that has captivated my attention. This tome marked my initiation into the world of Sherlock Holmes, and I dare venture to suggest that it shall not be the denouement of my acquaintance with the esteemed detective's exploits. It masterfully transports one to the bygone era of British antiquity, enveloping the reader in an aura of yesteryears' splendour. The characters therein are meticulously crafted, imbued with depth and authenticity. Imagine my astonishment when I found Dr. Watson, erstwhile perceived as a mere foil to Holmes, assuming the mantle of protagonist. This motif, it appears, recurs throughout the annals of Sherlock Holmes's chronicles. The denouement, I must admit, took me wholly by surprise, a twist of narrative ingenuity that defied my prognostications. While the intricacies of the storyline and the interplay amongst characters occasionally proved challenging to decipher, I found solace in Holmes's comprehensive elucidation of the investigative process in the denouement. This opus, perchance, serves as an impeccable introduction to the realm of Sherlock Holmes's adventures, an invitation extended to all who seek to immerse themselves in the thrall of suspenseful narratives. It would be remiss of me not to underscore its status as an esteemed cornerstone of English literature. I would adjudge this literary endeavour a commendable 7.5 out of 10.

The Hound of the Baskervilles

4 likes