Dwij King

Best for Dads and son to watch 💕 But too much of violence at last of the movie.

As an avid moviegoer, it is my duty to alert fellow cinema enthusiasts about the abysmal experience that is "Adipurush." This supposed magnum opus, touted as a grand retelling of a timeless epic, falls flat on every conceivable level. From its lackluster storytelling to its uninspired performances, this film is an unmitigated disaster that should be avoided at all costs. First and foremost, the screenplay of "Adipurush" is a convoluted mess. The narrative meanders aimlessly, failing to provide any coherent or engaging plot. The writers seem to have taken the majestic source material and reduced it to a soulless, shallow spectacle. The dialogues are painfully trite and often cringe-inducing, lacking any semblance of depth or emotion. The audience is left yearning for substance, but instead, they are served with a mindless sequence of disjointed scenes that do little to capture the essence of the original tale. To make matters worse, the performances in "Adipurush" are shockingly lackluster. Prabhas, who has showcased his talent in previous films, delivers a disappointingly one-dimensional performance as the protagonist. His portrayal lacks the gravitas and emotional range required for such an iconic character. The supporting cast, including Kriti Sanon and Saif Ali Khan, offer nothing memorable or noteworthy. Their performances feel forced and unconvincing, further contributing to the film's overall downfall. Moreover, the visual effects in "Adipurush" are a catastrophic failure. The CGI, which should have been the film's saving grace, is laughably bad. The creatures and mythical landscapes are rendered with such poor quality that it feels like a product of a bygone era. The battle sequences, which should have been epic and awe-inspiring, are reduced to a jumble of poorly choreographed, computer-generated mess. The lack of attention to detail and the blatant disregard for visual aesthetics make "Adipurush" an eyesore to endure. Lastly, the direction by Om Raut is a prime example of wasted potential. With a rich mythology at his disposal, he fails to capitalize on the inherent grandeur and emotional resonance of the story. The pacing is erratic, and the film struggles to maintain any semblance of momentum or coherence. Raut's inability to breathe life into the characters and extract nuanced performances from the cast contributes to the overall sense of disappointment and frustration.