Set during the height of the First World War, 1917, directed by Sam Mendes, follows two British soldiers named Blake (Dean-Charles Chapman) and Schofield (George MacKay), as they go on a dangerous mission by crossing over German territory to deliver an important message to another battalion of 1600 men, that theyโre unknowingly walking into a death trap. One of the men in that battalion just so happens to be Blakeโs older brother (Richard Madden), which makes this mission much more personal.
From a technical standpoint, 1917 is a cinematic achievement that captures the horror, and fright of war with its incredibleโ JAW DROPPING one takes, that are executed with masterful coordination and attention to each detail, that makes all the hidden cuts so seamless. Roger Deakins is at the peak of his career with shooting BLADE RUNNER 2049 (2017) and this, and truly deserves another Oscar for his work here, ALONG with Sam Mendes, whose choice to shoot the film in one takes makes the whole experience so immersive, as if you are another soldier on this mission, constantly watching over in horror.
The performances by Chapman and MacKay capture so many emotions, and beside them the filmโs sound design, visual effects, unpredictability and Thomas Newmanโs score are also brilliant, though at times the filmโs reliance on score during intense scenes does get a bit overbearing. The film couldโve also done just a bit more to flesh out their characters, and thatโs where the complaints start and end.
1917 is a technical masterpiece that keeps you at edge from start to finish to finish, and at its core, it is filled with a lot of heart.
Grade: A