Trevor Dawson

Gripping and impactful. The film dramatically explores the powerful effects of religious authoritarianism on one ordinary mid-nineteenth century Italian family. It's emotionally charged throughout and portrays the sidelining of human rights by a Catholic church determined to uphold its rules regarding baptism against a backdrop of political turmoil and challenge to its authority that contributed to the unification of the country. An Italian language film, the religious and historical references may not be immediately understood by a British audience but the sense of human loss, grief and impotence is vividly portrayed.

Spectacularly gory and occasionally unnecessarily so in my view but overall a compelling watch with strong performances by Alexander Skarsgaard, Nicole Kidman and Claes Bang as the main protagonists. Robert Eggars' main problem as director is marrying the supernatural with reality in a convincing way and this doesn't always come off despite an ear-pounding soundtrack and some brilliant cinematic effects. Some of the plot twists are a bit creaky too but maybe I'm being too picky! Not in the same league as Gladiator

Totally compelling. Dark comedy? Yes, but much more. A worthy Oscar winner.

So good. Strong story of physical and emotional pain balanced by a sense of joy and beauty. Banderas is so believable in his reflection on his character's life of triumph and desolation. His facial acting is superb! And the film is visually stunning, a running contrast between the natural and man-made world's glorious colours and man's struggles.

Amazingly, I had never heard of Melita Norwood aka Red Joan or her story. This is compellingly told in the film with totally convincing performances by Judi Dench and Sophie Cookson.True, biographical details have been changed and this has annoyed some but you judge a film on what you see and Trevor Nun's smoothly competent direction admirably highlights Joan's moral dilemma and courage at a time of frightening political unpredictability in the world order.

This is a terrific film: exploring racial prejudice, class, friendship and identity with a strong mix of humour and pathos. Peter Farrelly's direction is light of touch with both outstanding leads giving powerful and emotionally engaging performances.Yes, it is hugely entertaining ing and heart -warming but merely to call it a feel good movie does not do full justice to its achievement in showing what divides us but also what can bring us together. This is mainstream cinema at its best.