Matthew Palaszynski

This movie is probably Coppola's best work. A memior of his life and all that he loved along the way. You see so many scenes shot as if they were shot by another famous director. Lumet, Scorsese, Corman, Hitchcock... the list goes on. A work that begins a dialogue with the audience while Coppola answers back via visual and the players on the screen. Ultimately this movie is only truly relevant now. While the visuals will be discussed until all these directors fade into obscurity. Who knew Coppola could do a Shakespeare's comedy!