Vazhai, has garnered a lot of praise from both critics and audiences, but after watching it myself, I found the film to be quite underwhelming. While the story had potential, it ultimately falls flat due to the repetitive focus on caste and social hierarchies, something this director is known for.
The film’s portrayal of casteism feels forced, particularly in scenes where it could have focused on the broader theme of humanity. One glaring example is the accident scene, which could have been an emotional and gripping moment, highlighting how people come together regardless of caste or religion to help an injured person. In reality, during emergencies, people tend to act out of compassion and humanity. However, the director misses this opportunity, choosing instead to continue with a narrow caste-based narrative. This feels like a disservice to the true spirit of such situations.
Though the movie had its moments, particularly in terms of cinematography and performances, the overall execution of the plot felt average at best. The director’s recurring focus on casteism overshadows what could have been a more balanced and meaningful story.
In summary, Vazhai might appeal to those who appreciate the director’s signature style, but for me, it was an average watch that failed to live up to the hype.