J LeSueur

This is definitely a high quality production in terms of the camera work and footage etc, but there's really no substance. Harry and Megan don't seem to be getting the message that the public does not view them as victims, and we're never going to. No matter what angle they come at us with or how cunning they think they are in their approach, it's not going to work. It's NEVER going to work. They'd be more successful if they stopped with the victim approach and, instead, acknowledged their privilege, show us all the cool thing their privilege has gotten them, share stories about the cool people they've met and experiences they've had. Try being more authentic rather than manipulative.

It was mildly entertaining but overall it was just a dumb movie. The cliche, exhausted, know-it-all, single mother who can't get her life together (nor can she take more than 30 seconds out to put on a little make up or fix her hair for a date, because, yeah, women shouldn't have to!) -- the tech genius daughter -- the son that is that's trying to attract the 2022 image of beauty. Nothing about this film is original; it's more like a checklist of modern day Hollywood requirements for film (to the point where it's become stereotypical these days). Oh, and not to spoil anything but the sappy Egon thing? ANYWAY. How did Ghostbusters turn in to this? How can I explain the disappointment? Hmmm Well, we've waited like 13 years for the sequel to Avatar, right? Imagine loving Avatar and then going to the sequel, but the sequel isn't really like the original Avatar. In fact, it's not even in the same genre - it's far more like Dumb & Dumber than the original Avatar. THAT'S Ghostbusters: Afterlife

Overrated and messy film. The main character is likable for about 1-minute. Then, she becomes incredibly obnoxious as she pushes off her own irresponsibility onto the rest of the world. Even when she's wrong the film presents her as "right" -- horrible message about a horribly lost woman made by a horribly lost filmmaker. There are "great" films that are "great" simply because people everyone repeats the same lie. Then, there are truly great films which will be remembered for all time. This was a "great" film, not a great film, and by 2025 very few people will remember it. You'll ask "have you ever seen Three Billboards Outside Ebbing, Missouri"? And, they're say "HUH???" That's because it isn't and never was good or memorable.