It’s very good.
Also viciously truthful from the outset; exemplified in the scenes where the wife ( Natalie Portman ) has just had enough of being the wife - and the mother ( Moses Ingram ) realises that ‘she’ can’t escape her life however hard she tries to. These scenes feel surprisingly fresh as well as feeling a bit too real.
And it’s why I think the show is supposed to be a bit depressing - in a challenging way. It feels like it’s challenging the viewer, not just if you’re a perpetrator of sexism, misogyny but if you’re a victim of it too. It might be set in 1966, but it’s asking the viewer, do you recognise anyone? Do you recognise yourself?
For me, this story bravely captures that post war ‘pretence’ western societies emulated so well, ( and still does today ) that the family was/is the safest place for a girl or a woman; where she’s loved, cherished and most importantly protected; protected by the father, the husband, the brother - even the son…
However this story understands that the family was never the safest place for us and still isn’t.
The first two episodes are dark and relentless about the abuse we face from child hood to woman hood, how it lurks around every corner of society and if you miss it, well thank yourself lucky… but IT will get you. It will get you eventually, it’s just a matter of time - and it might be more than once. Though you won’t experience it from every man. We’re optimistically told this when Natalie Portman’s character meets a younger woman. It’s this relationship between these particular two women where they found their power and this helps them to fight their own battles. And fight back is what I think these women are going to do.