The writers had no regrets making this film more comfortable for Blacks to watch than Whites.
Four stars only because the first Tales From The Hood is irreplaceable.
A curation of stories that allow black writers to speak from frustration and emotion rather than the passive attitude that most are compelled to. This picture felt more like a great moment of release than a message.
-Opportunities for White characters to play the role of comic relief.
-A rare acknowledgment of historical atrocities in America being adapted to film while, at the same time, doesn't compel the Black leads appear lowly and sorry.
-Opportunity to drag systemic racism and the Whites who fuel it without being compelled to be the "Understanding and Passive Black"
Again, more of a comic release and vent of frustration than a message. The writers here obviously didn't feel compelled to play by the industry rules that most Black film crews are subject to.
Blacks seem to be compelled to be passive, empathetic, and mistakeless in their humanity in writing on racial issues at the threat of being blackballed by PWIs. This film said, "screw it, I'm frustrated and I'm allowed to be upset".
In other words - if you've come looking for "woke", "progressive", or " empathetic", then you've come to the wrong place.
Tales in The Hood 2 unapologetically has a place amongst predominantly White produced offensive films such as Eastbound and Down, Black Face Movies, and racists cartoons.
Tales in the Hood 2 is an "I can be offensive too and my audience doesn't care" type of film.
This should come with a "White Viewers be Advised" rating.