Mark Heinze

Tedious, derivative and pointless.

Welles at the peak of his beauty and wit. The Production Code delivers the verdict at the end, but the ambiguity and relativism of postwar Europe prevails. Source material for 'The Good Gernan.'

It's like when that over-the-hill band you used to love gets together to trudge through the hits. It just isn't quite the same, and a little embarrassing for the performers and the audience.

Slow and bloated, with a heavy ladling of Holloywood melodrama. The racing is cool but the extra characters and insipid dialog drag it all down.