Nil Everdeen – Google

If i could give it zero star, i would but i need to rate it at least one to put forth my review . Spoilers ahead: so the movie starts off pretty strong with protagonist being introduced as a naive boy in his teens with a vehement penchant for reading and cool parents and then the love interest comes in and brings in fresh wave of newness to what had already started to become mundane as hell . But my hope soon falters as the movie strays into the territory of lust , more so than romance despite being a romance movie ( well, supposedly). And oh my god elio is annoying as hell. Despite knowing the jarring age gap, he lures in the much older love interest. Without oliver's consent, elio gropes his crotch. Like wtf. Now if we reversed the role, it would be deemed to be pedophilia (and rightfully so). But teenagers should at least know their limits and act accordingly. I don't wish to waste more time on this movie or thinking about how awfully boring the plot was... I had joined a WhatsApp group for lgbtq members where the admin recomended this to us and my o my was he wrong in doing so. Please don't watch this movie. Spare yourself the time and read/watch a good romance novel/ movie instead of this garbage.

This album literally feels bereaved of the mainstream appeal Taylor usually pours succinctly into her lyricism. Taylor has this beautiful feat of turning an incandescently vulnerable and personal song into a pop / country bop you can't quite get over until you have learned it by heart, but this album falls flat in that appeal( for instance, lover, daylight, I almost do, back to December, delicate among many and many others). Now this album might receive critical appraisal as it's embellished with perfectly crafted lyricism and beautiful indie elements - which I don't connect to - and it certainly will be lauded by an audience with a niche taste, but it won't receive commercial success like 1989 or Red. I personally don't connect to this album and feel she should have released an album with elements that could rule mainstream media and locals' playlists, which we saw Taylor do in the past with bops like shake it off and blank space. And the reason I'm being so strictly critical of this album is because I believe she needs to release bops that locals would connect to in order to remain relevant in the male dominant music industry. Anyways, lets hope this album gets appreciation from critics and fans likewise , unlike from me. Thank you. Crucify me for this, but in my opinion, it's her least likely album to be approved by locals, which means in the near future she'll lose her relevance in this male chauvinistic industry and will not be someone like Madonna but Mariah. Good luck, Taylor .

Euphoria without its unbreakable commitment to emotional stories and compelling characters. ................................................................................. ................................................................................. The Weeknd possesses neither the charm nor the acting skills to con you into developing anything for his character. His character seems to be indefinitely stranded between bad acting and poor acting. Also, it seems he is "rape-y" and Joce likes that about him. Jennie isn't terrible because her scenes exude pure commitment, something Abel doesn't have. The dialogues are downright ridiculous and feels like they were written by a teenager to sound subversive but got lost in the act to ultimately create what ended up making the final cut--- creepy lines under the charade of layers; under these layers, there's just hollow room left for ambiguity that's accidentally rather than deliberately conceived.Pseudodeep and falls prey to the very industry it's tying so hard to critique.