reesan b acarya

This film has a sacrificial theme that's good and the story has a gripping concept...BUT the carving of characters depth almost fails to the core. Nobody seems serious and almost seems acting with hearts on mouth. Sonu Sood has no interest of being serious while female lead has her part done well but still others surrounding her pulls her down. Also the screenplay has some slips of grip and seems awkward. Cast could have been well directed....with SC and dialogues with some time taken for a hold

Read it with patience. Until the revealing of molestation factor of the heroine, the movie had a fabulous pace, twists and plots. All these gave a strong and intriguing screenplay that was based on personal and psychological conflicts. If the movie was made with a focus of these factors including rediscovering self identity and intensity of love and it's impact with psychological twists, then the movie would obviously be ranked as one of the finest movies of Indian cinema and a cult classic. ........BUT...It's all all all ruined by the writer's commercialising aspect which made him to insert the popularist plot of molestation and all social and woman empowerment contexts including the zero tolerance of woman violence. Ok...all these woman concerns, are good but these things must have been restricted to the woman empowerment genre. These all things have made DEAR COMRADE A huge failure. But to those who follow commercial with woman empowerment social emotions it's best film.......But for me the writer did a blunder and broke it's spine with his weak thoughts and weakest creativity. Rating: 5/10 5 for the plot before the molestation twist.

I have undoubtedly watched it thrice and to an extent of surprise....without skipping a single second. You can determine the patience. Well, it's a great movie for those who love slow moving ,soft and tender story telling, symbolically spread with flashbacks and narrative with a curio-concept of how and when. But it's useless, boring to death and a flying-monkey sort of nonsense to the Stan Lee's warrior-hooligans who just have eye on the destroying myths and miscalculated universal tantrums. Or it may be useless to Fast and furious men living on the attic of the fantasy. Or it may be worst for the flying witches and green-effect lovers, who know they are getting fooled by the green curtains animations but still waste their heads and money to get nothing. But Cinema is to earn money so everything is permissible any content or any sense or nonsense. There are audiences for all and critics for all. It's business. Its wish of a man to decide what he is bored of and what amuses him.

Dangal is good movie but not that deserves a great tag as per described by the hardcore AKhan Fans. It's just an ordinary inspirational movie but clever inclusion of real Phogat story-sentiment, played a Ace card for the film's emotional aspects. As we know Indians prefer melodrama over the content. It's proved over course of time in all sorts of Indian acting platforms. The similar films like Saala Khadoos has been deemed as just another film. I can't explain how the Chinese were hypnotised by the sentimentality rather than the overall aspect of the film, which is just as predictable ordinary story with biographical fusion wrapped with some social and personal sentiments also it's involvement with girls-education and woman empowerment made it a hectic film to be considered great by the immediate fans.

Asuran has the grip of thought. Its a sort of art film with stirred commercial sense. It begins with perfection and ends with deconstructive thoughts of the concerned subjects rising like waves in film. It's a film that surpass the concept of how to deal with society. Its an openly judged film with variants of conclusive ideas that may lead to the conclusions about how our society has been within. The film ends up with a simple note. Nobody gives a flying monkey to anybody. The ordered people dealing with climax simply beat the dust off their shirt by saying the violence has impacted a lot with disorders in the society. This film solves nothing but gives Individual perception of knowing and judging the social taboos and norms prevalent perhaps for ages. Education alone can't stop the discrimination or violence. Perhaps the discrimination and class order is the root of formation of human society and we just can suppress but not kill it. Education helps change but not personality engaged in the knots of social norms. So, Asuran generally doesn't help in knowing the solution but gives the clues. Its upon us what we actually interpret from what we saw.

Two stars for money wasted in virtual green technology where people are being fooled with superheroic imprints. It may be a superheroic terrific edge for the fantasy seekers but its absolute nonsense....de facto. I wonder wasting money to define your nonsensical limit of creativity and it is wrapping up the sense of superiority into the apparent and virtual cloud of the overwhelmed fantasy seekers. It's a taboo generating a terrible business of toys, clothes etc. where people indulge into a get-looted-self acts and letting their money get wasted and collapse into the nonsense-pit dug in its territory.

This may be a critical review.... A3 was a great comfort when I used to be a child. I watched it numerous times with equal hilarious scene by scene enjoyment. But now as I watched it after years being an adult, I didn't find most of the frames as funny as I expected. The exaggerated concepts and dialogues seemed no more funny. It's watchable when we watch skipping various scenes within. The characters have their flow but the comic plots seems bland and overacted. It's all time and relevance. I am sorry if my review hurt some hardcore A3 fans.

It has humour with intriguing plots. Kunal Khemu seems natural and has refined his skills. Overall casts of the film have defined it's strength as a comic movie. But somewhere it has flaws within the pivotal twists and screenplay at some fragments.