Farhad yaghobi alamuti

The abstract and super complicated aspects of this feed remind me of the book The Blind Owl ( bofe kor ) sadegh hedayat . A surreal and incomprehensible story for the first time to be reviewed. In each scene of the story, there is an infinite story. Thanks to its meandering nature, Shutter Island belongs to the rare group of movies that you can watch over and over and discover something new each time. Martin Scorsese knew when creating the scary world of Ashcliffe that choosing the right music is very important to create the required tone and atmosphere. And when "Shutter Island" begins, film buffs with a sharp ear for music may be reminded of one of the best horror films in cinema history, Stanley Kubrick's "The Shining." At the beginning of "Shutter Island" an eerie song composed by the avant-garde composer Georg Sandor Ligeti called "Lontano" is used, which can be heard in Derakhesh during some tense moments. It's clear that Scorsese wanted to make it clear to his audience from the start that Shutter Island was not going to be one of his usual dramas, but instead a film that veered a little closer to the horror genre than Good Buddies or Raging Bull. . And as the film progresses, it skillfully uses more and more gruesome bits to bring the audience along as Daniels descends into a world of madness and paranoia. Scorsese's films are always fueled by nervous energy and adrenaline rushes, and it's hard to imagine him doing anything other than emotional turmoil, even if he had to. Stimulants are sometimes necessary. What forms a part of his filmmaking style is the memory of old movies and the type of music selection. At first, Scorsese was hesitant about what kind of music to use. In the end, the solution he and ex-D Band member and Shutter Island music supervisor Robbie Robertson came up with was oddly suited to the "Age of Anxiety" in which the film is set: the use of modern classical music. In his old films, he used rock, pop or blues music in a short and timed way. Here, apart from Ligeti, he went to composers such as Christoph Pendersky, John Adams, John Cage and Morten Feldman, and this music, which in most cases is dissonant, violent, repetitive or scary, definitely affects the heavy atmosphere and horror of "Shutter Island". added Scorsese says of using a piece like Pendersky's "Passacaglia," "With pieces like this, it's definitely bold, and I think it's a reflection of what's going on inside Teddy." If you go along with the film and the strange journey of this character, this is the music you will have in your head." Some of the angry and gloomy modern music of "Shutter Island" is somewhat similar to the music of 1950s films, something that seems to come from the heart of a psychological drama full of anxiety directed by Elia Kazan or Nicholas Ray; A kind of inner and lonely music. Pop songs are used very little, because this kind of music refers to a bigger world. It's the kind of music that millions of people listen to and maybe dance to - the world outside this island and this troubled mind.