Madhurya Parsi

Madhavan’s incredible performance is the only good thing about the film. The story and screenplay are pathetic! Kummudha’s character, portrayed by Nayanthara, is especially problematic. While the film attempts to depict her as a devoted wife who stood by her husband during his lowest phase, her behavior tells a different story. She comes across as emotionally toxic—rigid, unsupportive, and someone who imposes her own dreams onto her husband Saravannan. Instead of encouraging him, she judges and belittles him, damaging his self-esteem and breaking his spirit in a moment, when he’s already under immense pressure. Saravanan, despite being frustrated by his unfulfilled aspirations and not meeting his wife’s expectations, remains composed and affectionate towards her, even when he’s struggling. If Kummudha couldn’t support or believe in him during his hardships, she could have chosen to walk away—instead, she stays and emotionally undermines him. She doesnt care about him. She calls him a “loser” and “namard” because he doesn’t want to give up on his dreams?? She was okay with the kidnapping until the money was sent, but in the end, kills her husband and is portrayed as a good and strong woman who killed the “villain” ?? What nonsense is this? Moreover, the film attempts to glorify the cricketer by drastically shifting Saravanan’s character into a villain in an unconvincing manner. His identity and dream as a scientist, driven by a genuine desire to serve the country, are trivialized just to elevate another character. The writers and the director did a horrible job, you people shouldn’t make movies anymore because you all suck!!

I watched Arjun Reddy when it released but recently saw Kabir Singh and found it far more engaging. Shahid Kapoor’s performance elevated the film to another level. The narrative and storytelling feel fresh, even though the plot itself isn’t unique. The movie explores the life of a talented but troubled surgeon, portrayed brilliantly by Shahid. Kabir is deeply flawed—far from perfect. This sets him apart from stereotypical heroes. He struggles with addiction, anger issues, and self-destruction. Yet, there’s a raw, endearing side to him. He loves deeply, is passionate about everything he does, and his intentions are always genuine. These human traits make him real. You root for him despite his flaws, hoping for his growth. The director makes you empathize with his shortcomings, which is what makes the film special. Many who hate this movie are used to Indian films where the hero is an idealized figure. Kabir Singh defies that norm, portraying its protagonist in an unfiltered, raw, and real way—showing the GOOD, BAD and ugly. PSEUDO FEMINISTS couldn’t handle this. Either they haven’t watched the movie or they struggle with its intensity. Ironically, they have no issue with ITEM SONGS that blatantly OBJECTIFY women through the MALE GAZE. Countless films portray actresses as mere eye candy, lacking depth and voice. Yet, these so-called feminists don’t object. They wrongly perceive such portrayals as “empowerment” and “freedom”. Their version of feminism is skewed. Becayse They view everything in black and white, ignoring the GREY areas. They’re quick to label Kabir as misogynistic based on one scene but fail to see the depth of his love for Preeti. He protects her, cares for her, and would go to any length for her. Preeti, too, slaps Kabir multiple times, yet no one calls that problematic. Of course, slapping—by a man or woman—isn’t justified. But relationships aren’t perfect, and the film aims to showcase their raw, IMPERFECT REALITY. Yes, Kabir was toxic to preeti at times. He should have treated her better. He should have regulated his emotions in a healthier way. But the film is about exploring his shortcomings, his weaknesses and strengths and, ultimately, his redemption. The film forces reflection, pushing viewers to confront UNCOMFORTABLE TRUTHS about human nature and society. It’s not for the weak-hearted or for pseudo-liberals and pseudo-feminists who refuse to see beyond the surface.

Most awful movie I have watched in the recent times. Everything about prabhas’s role is grossly elevated, and there is absolutely no good reason that justifies why his character is put on a pedestal, like he is some form of a god or more than a God! Throughout the movie, Every single character worships Deva for some odd reason, and I found that beyond tolerable. Throughout the movie i wondered why the hell is his character being glorified to such a degree without any reason? The worst part is prabhas doesnt even emote a single expression! His face throughout the movie looks like that of a robot’s, completely expressionless. The guy can bend an iron rod and single handedly defeat an army of thousands of people over and over again! Really?? Thats peaks of exaggeration, It is the most unrealistic and ridiculous portrayal of a “hero” one can imagine! 🙄🤦🏽‍♀️ The screenplay is not enganging in anyway, And the production design is set in rome and italy, which doesn’t make any sense with the storyline. Why in the world, would an indigenous indian tribal community live in a colonial setting?? The indian costumes with the greek/italian buildings look so out of place and context literally!! Even the songs are gross exaggerations of forced emotions. Overall, the movie is a painfully looonggg drag, and lacks substance to say the least!