Miz Causevic

Raised by Wolves - directed by Ridley Scott for the initial episodes, takes you into a stark sci-fi universe where two androids, Mother and Father, are tasked with raising human children on a desolate planet. The story kicks off as the last remnants of humanity touch down, bringing their religious baggage with them. This sets the stage for a deeper dive into faith, morals, and what makes us tick – all against a backdrop of survival in a harsh new world. Amanda Collin's portrayal of Mother is a highlight, capturing the nuanced conflict between nurturing instincts and lethal abilities. The same goes for Abubakar Salim as Father. The series features impressive cinematography and set design, which complements its ambitious thematic questions around creation and belief. It's stunning! The series' cancellation after the second season was particularly disappointing, leaving many narratives unfinished. I hope it gets a reboot or film version at the very least.

The Dark - a German sci-fi thriller series, explores time travel, fate, and generational impact through four interconnected families in Winden. Created by Baran bo Odar and Jantje Friese, the show's intricate plot and solemn atmosphere demand attention. While occasionally overcomplicated, The Dark offers a profound meditation on time's cyclical nature.

Prepare to be disappointed by an utterly exhausting excuse for film, as it squanders the potential of a remarkable ensemble cast, leaving you with an empty feeling and a profound sense of annoyance. This was needlessly long and painfully repulsive.

So, “The Boys” – Prime Video’s wild ride through superhero land. Picture this: Tony Star and Karl Urban, both cranked up to eleven, delivering performances that’ll make your hair stand on end. And Erin Moriarty? Starlight – fierce, vulnerable, and ready to kick some superhero butt. She’s got more layers than an onion at a therapy session. Now, Episode 4 of Season 4!? That’s where the party’s at. We got storylines weaving together like a drunk spider knitting a sweater. Homelander’s childhood home? It’s like a haunted house on steroids. His trauma? Deeper than a conspiracy theorist’s YouTube rabbit hole. No wonder the dude’s desperate for attention – he’s got more daddy issues than a Father’s Day sale at the therapy store. And the cinematography? It’s like Salvador Dalí and Quentin Tarantino had a baby, and that baby dropped acid. Dark, gritty, and thought-provoking – it’s like watching a Picasso painting come to life and punch you in the face. One of the best shows, hands down.