Disclaimer - This film is not for the faint hearted. Rating - 10/10
'A Promise too late is still a promise Nonetheless ?'
'This is poetry in disguise of a cinematic being.'
This film is from the lost art of epic film making.
This is one surpasses even David lean's Lawrence arabia. Rarely have I seen a film so perfect, we have lost this art slow moving storytelling art through films.
A War, politics, Egypt, Desert, Adventures, history, desert storms, Spy, Drama, Aeroplanes, caves, hopelessness, vengeance, salvation, Promises, sacrifice and of course among all of these A passionate ill-fated Love Affair.
The film is so confident in its storytelling, and so engrossing, whenever you watch a character its heart will beat inside you; you will be taken to all the places the camera had been, from the market in Cairo, to the Sahara and to the sweaty bedroom of the lovers. You will feel like you are on Morphine while watching the film.
I can't even begin to start talking about the technicalities, the brilliance of the film and the art it has created. Everything about the film has been perfect and mesmerizing. Even the Costumes, the Background Scores, the chosen city, the timeline, the accents, the tempo of the film everything puts together like movements from a Beethoven Piece.
This reminds of so many greats, The lawrence of Arabia, the Red, The river, Gone with the wind, Ben Hur, Cinema Paradiso.
This film In my opinion has two different scales of storytelling one for the current time and one for the flashbacks, the screenplay is so cleverly written for each of these two movements in the film, perfectly composed screenplay, with perfect pace and yet distinguishable from each other, the mood captured for the two times through the screenplay is just fabulous. I loved the current timeline screenplay more simply because the characters had more freedom to express the swings in their heart.
The Cinematography is too good to be true to our eyes, this is like bible for cinematographers. The closest I can match this with is 'Barry Lyndon'; we have to understand that cinematography has a huge responsibility on a film, and especially it shows the maturity of the whole film making team. Cinematography is not only there to make scenes beautiful, but it has so much more; it is the orchestrator of the moods and the pathos of each scene, since colors are one of the first thing that affects the viewers and draws them, it should be used very responsibly, such that it should be beautiful but also in correct format, in correct quantity helping viewers to focus on something that the director is trying to show. I have rarely seen such intelligent cinematography, the way they have used the lights from different sources, reflections, using elements from the situations and sometimes simply the glittering eyes of the characters.
The direction is ever so done perfectly, from the movement of the camera, to the placements of the shots and angles; capturing and the rendering the mood from each character and holding them until the end. The pace of storytelling and the format, the introduction points of the characters, and always most importantly kept everything real while feeding the story like Arabian nights to the viewers.
The casting has been done perfectly, each characters felt their grounds, had their moments and always in tact with the crux of the story.
Stellar performances from all the actors... Their expressions, voice modulations, gestures and a lot of eyes, so soothing to us viewers.
This film is like a Collector's item that too kept in museum.
I beg you to watch it.