Rishiraj Kumar

Very fascinating. I have read it 3-4 times. You develop an empathy with all its characters. None of the characters, even Sophia's husband, seems to be villainous. However, there is an element of fatalism and ageism which is a bit excessive.

The book invokes strong emotions, but it does not analyse or tries to solve the problems created out of alcoholism, depression and pessimism. Raskolnikov's victims seem to be mere shadows and not women of flesh and blood. Ultimately, Raskolnikov, the bad guy, escapes with a punishment too lenient and bags a pretty girl too in bargain. The other guy, Sividriglialov, or whatever is he called, commits suicide inspite of having spared Dounia.

Feudalism could be charming in fiction.

Some characters are too weak and Heathcliff is too strong but misdirected. It is a parallel and insular universe. The end is also not satisfactory with Mr. Lockwood remaining a spectator and turning tails.

The book is very fascinating but the end disappoints; being too real-life. Characters are a bit too flat and rigid in responding to the external changes. Description of a country occupied and ravaged after defeat is very poignant.

Very fascinating in spite of being realistic.

Fascinating narration. But themes fatalism and hopelessness are not wanted when we are fighting the Covid 19 pandemic.

It's a good read. Description of the technology of Seventies is interesting.

THE GIRL ON THE TRAIN A bit disappointing. The plot is contrived and unconvincing. However, the portrayal of the alcoholic protagonist is intereting; though, in real life, it's difficult to give up drinking without medical assistance.