Sharmin Akhi

Jawan is like one of the best action and thriller movies I ever watched in my entire life 🤩 this movie made my mind blow🤯 like every action scene has sides stories some of them made me cry😢 and all of the things can happen in real life none of them were fake in real life. All of the characters were my favourite like the half mask SRK. I am voting for Jawan 2 and waiting when it will releases Thank you Atlee,Shahrukh Khan Gauri Khan for producing & making the movie JAWAN.

The 2006 Bollywood heist movie called 'Dhoom 2' starring Abhishek Bacchan, Bipasha Basu, Aishwarya Rai, Hrithik Roshan, etc., features a master thief called 'A' who uses his supremely fit physique and hi-tech gadgets to pull off sophisticated burglaries of rare and valuable treasures. Reminds me of a 2004 Hollywood film 'Ocean's 12', with a thief called the 'Night Fox' who does the same. The difference between these 2 Hollywood and Bollywood stories is that Bollywood demands a "suspension of disbelief". Consider this - 1. Why would the Queen of England be travelling through the Namibian desert in a lone train with just 2 security guys guarding her priceless crown? 2. How could Mumbai's iron sewer cover get disintegrated with acidic chemicals from 'A's shoes, drop him through the sewer, and blow him out (with no mud or excreta on his body) from another sewer opening? 3. How could vehicles with ramps be waiting at Mumbai's traffic lights, at convenient points, so that 'A' can simply launch himself by using them? 4. How could 'A' effortlessly flip from one side of the tracks to the other side behind a speeding train? Wouldn't the tracks get in the way of his board? 5. How could 'A' create a magnetic arm that can attract soda cans? Soda cans are made of aluminum and cannot be magnetized. 6. Why...? 7. How...? The questions go on. Allow me to simply state this - this is pure entertainment for Abhishek, Bipasha, Aishwarya, and Hrithik fans. Hrithik is indeed the "coolest" (as Abhishek describes him) due to his gorgeous looks, superior dance skills, and stunt performing abilities. Based on a loose storyline, 'Dhoom 2' is basically a drool fest with minimal acting, bad dancing (by Abhishek), awesome dancing (by Hrithik), and sexy outfits modelled by the actresses. The music is so-so, mainly being variations of the same old Dhoom theme - one bar repeated over and over again, with no developments or riffs or complementing tunes. The only original part of 'Dhoom 2' was the build up of the love story between Sunehri and 'A'. Sunehri has cut a bargain with the Indian police to ensnare 'A', in return for a life free from imprisonment. So, she does her best to create a situation where the police can catch 'A' in the act. However, her feelings keep getting in the way and it appears that 'A' is aware of this fact, and he never fails to remind her to not act with her heart. It was good to watch this layered, slightly more complex relationship than the usual bandalbaas comedy of Ali and Monali. The chemistry between Aishwarya and Hrithik is electric and palpable. It is similar to their relationship in 'Jodha Akbar', minus the thrust and spar of their swordfight. Instead, here one sees them challenge each other in a choreographed basketball game. When was basketball popular in India? The director must have thought that it increased the 'cool' factor, hence... Somewhere near the finale, Sunehri shoots 'A' dead, and he falls over a waterfall into a ravine, lost to the police forever. She says that she did it for love. That concept really spoke to me because it was so poetic, and dark. To kill a star-like person to save them from humiliation and execution because one loved them so much. Wow. Sunehri was prepared for lifelong hell on earth to save 'A' from the same fate. This seemed a powerful ending to me. Unfortunately, in true Bollywood style, 'A' and Sunehri resurface in Fiji. For those of you who can manage to sit through this movie, go figure!

When I watched Ghajini at the time of its release, I was so impressed that I actually watched it 2 to 3 times. I simply loved the concept of retrograde amnesia and the entire story. But after few weeks I came to know that this movie is a copy of a Hollywood movie named Memento in some article and I was bit disappointed thinking that the movie is nothing but a remake, as Bollywood always does. It took bit of a shine that the movie is not original. Lately I watched Memento and I now agree that Ghajini is very little inspired from Memento, only the basic idea is taken from the movie, rest everything is original. I actually claim that perhaps Ghajini is far better movie than memento, which could be a tall claim, but it's entirely my opinion. The reasons being are mentioned below (Spoiler alert if you have not seen both the movies or any one of the movie and are planning to watch them) 1) Aamir Khans performance is way ahead of the performance of Guy Pearce who is basically given an okay performance. I don't blame him for not giving histrionics, because maybe Nolan wanted him to act that way. 2) Memento works as a psychological suspense thriller as it keeps you invested to know the truth of the lead characters motive, and as the story keeps moving backwards it keeps providing new unexpected twists all the time. Whereas Ghajini is a romantic thriller and works on flashback storytelling and although the motive and the villain are established very early in the movie, the suspense still works here as you are curious to know what went wrong in the love story of Sanjay and Kalpana. 3) The movie Memento lacks human touch, since as the movie keeps progressing it tends to be confusing, as the director wanted the audience to keep thinking with all his plot twists that keep coming at certain intervals, whereas Ghajini storyline is simple and works very well on emotional level. Maybe as an audience I sometimes prefer stories to be less complex. Those who like less character driven stories, and more complex storytelling they would definitely enjoy Memento more. 4) Lastly the climax of Ghajini feels clapworthy, although the action seems exaggerated and violent, it still excites you as you root for the leading character, whereas in Memento you feel cheated in the end as the characters main motive is completely baseless, as he himself is the main villain. We always seem to have an inferiority complex for our Indian movies as we feel Hollywood is way ahead in content based movies, but sometimes it's better to appreciate Indian movies as well when they deserve it.

If ..gadar EK prem katha 2001 was an emotion then #gadar2 2023 is a celebration, being a huge fan of this movie & but ofcourse #SunnyDeol I was not very apprehensive when the sequel to this was announced,a kind of fear was in my mind that it would spoil the name & fame of this 2001 blockbuster & all those associated with it but kudos to the full team & especially the writer #shaktimantalwar the director #AnilSharma & our very own Indian Hulk #tarasingh urf #sunnypaaji Very rarely do we have sequel doing or being better than the original but this one is very much on par with it It starts with veteran #NanaPatekar doing a voice over recalling what had happened in the first part & then the story moves forward with Tara Singh now living happily with his family but then it is 1971 & the story simultaneously moves with the India Pakistan war in the background... Also there is a personal grudge kept by the main antagonist played brilliantly by #ManishWadhwa who plays a Pakistani army general Circumstances get the now grown up Jeetey held captive by the Pakistani army & is played by the same young boy now grown up to be a brilliant actor #UtkarshSharma & so we now have once again our hero entering the neighbouring country this time to get his son back & also manages to get along his would be daughter in law played confidently by the debutant #simratkaur The first half of the first half is nostalgic with Tara Singh romancing his love #sakeena & #AmishaPatel is graceful but then her role is smaller then what she had in the original Then for a brief period that is the second half of the first half gets slow with Tara missing but just before interval he is back & then post interval it's a treat full of action thrills patriotism & dialoguebaazi... Not really seen in the recent many years such thunderous clapping whistling & cheering by the crowd in the auditorium Also they were dancing to the melodious old songs redone here & then there was that famous hand pump scene too here but in a very different manner but getting a thunderous applause from the janta janardan It's indeed a celebration watching it on the big screen & #sunnydeoldialogues #sunnydeolstyle is still intact still the same ... Once again he rightly defines heroism..indeed the best he is ... BEST he was BEST he is & BEST he will be Yes we have it again & why not after all #HindustanZindabad tha, hai aur Rehaga 17 people found this helpful. Top stories Thank you for your feedback! 1 person found this helpful.

The Marvel TV Universe has waxed and waned off late, delivering the astronomical highs of the groundbreaking “Wanda Vision” and the ingenious “Loki” while suffering from mediocrity in “The Falcon and the Winter Soldier” to downright going right into the dumps with “Hawkeye”. Thankfully Oscar Isaacs’s “Moon Knight” sees the universe find its stride again with a ground-level psychological thriller that stays true to the Egyptian mythology the core story is based in while delivering Fincher-esque character portrayals and spine-tingling action. In a story arc that closely follows the comics, we follow the journey of mild-mannered Museum gift-shop clerk Steven (Oscar Isaac) who suffers from regular hallucinations and cannot discern between his waking moments and dreams. As we head deeper into the storyline, we discover that he suffers from dissociative identity disorder, with his body harbouring an alter-ego in the American mercenary “Marc Spector” as well as the avatar of the Egyptian God of the Moon (Khonsu) who moonlights as the vengeful vigilante the “Moon Knight”. Showrunner Mohamed Diab ensured comic-book accuracy while never compromising on narrative zing, weaving a meandering tale of psychological angst, deep-rooted childhood trauma and international intrigue as the episodes move forward at breakneck speed. While the constant switching between Oscar Isaac’s multiple personalities is initially jarring, it presents a jigsaw-puzzle like storytelling structure that ensures the audience is constantly engaged in trying to piece together what happened. The Golden Globe-nominated actor proves that he is an absolute chameleon, effortlessly shifting from one personality to another, with not just the accents but the intonations, mannerisms and body language different for each one. May Calamawy is fierce and flamboyant as “Layla”, Marc’s love interest while Ethan Hawke expectedly dominates every scene he is in as the villainous “Arthur Harrow”. F. Murray Abraham’s mesmeric baritone and witty banter adds layers to the personality of the scheming Egyptian God “Khonsu” Anatolia Salib is a hoot as the voice of the bungling Goddess “Tawaret”. Hesham Nazih’s haunting background score adds layers of mysticism and gravitas to the narrative and what the “Moon Knight” might lack in sheer scale is more than made up for by the performances on display. “Moon Knight” is an eye-catchy entrant to the new darker, broodier and more horror-themed section of Marvel’s Phase 4, sure to be accentuated further by the upcoming feature film “Doctor Strange in the Multiverse of Madness” as well as the eagerly anticipated reboot of the “Blade” franchise which will star Oscar-winner Mahershala Ali in the lead role. With a massive sting in the tail towards the end of the finale episode, the makers leave you in a state of shock and confusion and a deep yearning for Season 2. Cannot wait!

Three Idiots’ is a remarkable ahead of its time Bollywood blockbuster. This film is a comedy movie with strong acting, memorable characters, a perplexing storyline and most importantly, highly motivational movie to choose the right path in your life. The producers of the movie expressed some amazing scenery of the mountainous landscape of Ladakh. These scenes were taken with various different camera angles such as high angle, crane and parallax shots. These colourful scenes were ingeniously used to infer that a happy and exiting moment was to come. I felt as though the film was very educational in the way that it tries to spread awareness and teach the viewers of the increasing risk of the school system related suicides in India. The mood of this film changes rapidly from joyous to depressing to comedic etc. In doing so, it made the film more exiting as I was always at the edge of my seat unknowing what fascinating event will take place. I used to think all Bollywood films are low budget with atrocious actors, but now I realised how incredibly convincing some of their actors are, even for Hollywood standards! These acting capabilities I have witnessed set a great example to me of how extraordinary Bollywood films can be and it intrigues me to watch more. Overall, ‘Three Idiots’ was an amazing film that really impressed me of how good Bollywood films can be. My emotions throughout the film was like a roller coaster, going from sad to jubilant in a matter of seconds. I mainly recommend this film to anyone who is unsure of watching a Bollywood film, yet I also recommend this film to every other person in the entirety of the earth Thank you