Subhanshu Verma

This series continues to rely on outdated and overused stereotypes, depicting India as an impoverished, antiquated society seemingly frozen in the 1800s. The narrative leans heavily on a trope of desperation for relationships with Western partners, offering little originality or cultural depth. Such repetitive and one-dimensional portrayals fail to provide a nuanced or accurate reflection of modern India, resulting in content that feels uninspired and out of touch. The inclusion of a “garbage man obsession” as a stereotype is both baffling and unwarranted, reflecting a shallow understanding of the culture it seeks to portray. Additionally, the persistent misrepresentation of Hindu traditions—such as the false notion that Hindus worship cows as deities—shows a lack of research or sensitivity. In reality, cows are respected as sacred animals, historically valued for their role in providing milk and supporting livelihoods, particularly for older generations. It’s no surprise that the series appears to be written by an American-born individual of Indian descent who lacks a genuine understanding of contemporary India or the complexities of Hindu culture. This work seems to prioritize profit over authenticity, resorting to mockery of ancestral roots for mass appeal.