Annttonn R

SQUID GAME Season 2 Finished all 7 episodes. This season's final episode feels completely unfinished. They didn’t tie up loose ends... While this season has its standout moments that propel the story forward, it lacks the nail-biting thrill of SEASON 1. The intense, edge-of-your-seat moments that made the first season a global phenomenon are sorely missing here. The games, too, are fewer & far less gripping. The story flowed well overall, but without a proper conclusion, the season feels like an unfinished symphony. When audiences invest a hefty chunk of their time binge-watching, the directors & scriptwriting team ought to pull up their socks and deliver a satisfying conclusion before rolling the final credits. However, let’s see whether SEASON 3 comes with a conclusion or they continue dragging this by making it look like an over-stretched bubble-gum which has already lost its taste.

SOOKSHMADARSHINI Rear Window (1954), directed by ALFRED HITCHCOCK, is about a photographer with a broken leg who uncovers a crime by observing his neighbors from his apartment. At that time of 1954, this film set a new standard for thrillers, becoming a benchmark in the genre & influencing future filmmakers to explore thriller genres. What if Alfred Hitchcock’s REAR WINDOW gets released as a new movie now. SOOKSHMADARSHINI is something like that. Similar plot. Gripping thriller with good twists & turns. NAZRIYA’s show all the way.. 🎥 🕵️

KADAISI VIVASAYI What a movie! Such a gem of a movie. Loved every frame of this film. A soulful feel good realistic movie. Just few minutes into the film, it takes the audience deep into the movie of a rural milieu. Story of an experienced aged farmer. The aged person who has acted in this movie has passed away a year back much prior to this film’s release. He has not acted in this movie. He has lived the role just like how he lived in his real life. In this movie, as an audience, we can feel the milieu. We can feel the soil, feel the nature, smell the soil, smell the poultry farm, and we can feel and smell the plants & trees, and also hear & feel the sound of birds, and feel the breeze of the rural milieu. Such wonderful the film making is! The movie doesn’t preach anything. It just transfers the soul of the film to the audience, and audience can feel the soul of the film.. thats the biggest victory for the director MANIKANDAN by making a movie like this. MANIKANDAN yet again shines with his film making finesse after KAKKA MUTTAI, AANDAVAN KATTALAI & KUTAME THANDANAI