Mini TK.

This album is no skippable songs. Tracks like “New Woman,” featuring Rosalía, pulse with infectious electropop energy, blending their voices into a sleek anthem of reinvention. “Born Again,” with Doja Cat and Raye, offers a sultry disco vibe that showcases LISA’s vocal agility, creating a track that feels both nostalgic and fresh. “Moonlit Floor (Kiss Me)” reimagines Sixpence None the Richer’s “Kiss Me” with a dreamy, sensual twist, setting a romantic scene under Paris skies. Meanwhile, “Rockstar” nods to K-pop’s genre-blending roots with a glossy, Tame Impala-inspired chorus, delivering the bold, braggadocious energy fans expect from her. “When I’m With You,” featuring Tyla, brings a seductive warmth that contrasts with the album’s more aggressive cuts, showing off LISA’s ability to adapt across moods and styles. “Dream,” the album’s sole ballad, strips back the bombast for a piano-driven reflection on lost love. It’s a rare glimpse of vulnerability from LISA, with her raw vocals cutting through minimal instrumentation. Though some find it jarring next to the album’s high-energy anthems, it’s a hauntingly tender closer that hints at untapped potential. “Chill,” with its Nelly Furtado-esque R&B-pop fusion, also offers a cool, detached confidence—“Can’t read my face / Call me Mona Lisa”—that balances the album’s excess with a touch of introspection. ‘Alter Ego’ is show LISA’s star power and versatility.