Jolene Brimage Prosper

Outstanding movie! The infrastructure of intellectual intimacy was extremely salient in the story. This movie reminds me of an old movie. Why? Because the code-demands of old movie classics positioned screen writers to use richer dialogue and substantive content for actors to interact with over what we have now with cursing, nudity, and physical violence, which clearly performs like a vapid filler. This movie was well thought out using 5 characters to resolve the issues of acute grief of loss and belonging of the main characters. Some may argue that Rachael's boyfriend was a sixth character, but he neither advanced or obstructed the plot of the main characters. Alan could have been a job or some other commitment. In fact, his voice could have been heard without ever seeing his (pleasant) face. I also noticed that Rachael wasn't ever happy with her fiance' and her disaffinity with him had nothing to do with his frugality or his personhood. He was simply the very best of everything she knew she didn't need. Jake on the other hand was the soulmate she longed for before she ever met him and the writers weaved the perfect moments of space intimacy, dialogue intimacy, intellectual intimacy, and the intimacy of sound and soundlessness to tell a wonderful story.

Outstanding performance powerful message

Vapid storyline and vile double entedres. The accents were great and It was great to see many of the original cast.

The most Sophisticated period film I have ever watched. The music was superb. In season 1 Simon and Collin's roles were played with the most authenticity and their performances superseded the content written about each in the book; "The Duke and I. Anthony's vapid character dissuades me from wanting to watch season 2.

Outstanding story. Excellent acting.

As the writer of this compelling story said, he did not write the story by himself. The God of heaven wrote the account with him. Life altering lessons on so many levels.