The Spaceman was my first guitar hero. Went out as Ace for Halloween 1st, 2nd, and 3rd grade. He was always my favorite KISS member; I remember the Halloween special from '76 and to a 4 year old kid-rocker, he was easily the coolest of a very cool bunch of dudes onstage. And then a few years into things I began recognizing his signature guitar sound. My mom took my siblings and I to see KISS on the Dynasty tour.
I didn't follow Frehley's Comet at all, but I always had a Kiss mix on the Walkman. But it was always old '70s KISS; I didn't buy any records after Peter left the group. I can't even describe the excitement when he walked on stage with Peter for MTV Unplugged. There had already been rumors about a reunion tour, and I was blessed to see them Saturday night at Madison Square Garden in 1997. And then three nights in Philly. And then New Year's Eve with Dick Clark simulcast at The Meadowlands. And then several more shows with Ace and Peter on Psycho Circus and the Farewell Tour. And for the record, yes Gene and Paul will do anything for money. I'll tell the one story that sums it up best: They tell stories of Ace being antisemitic as far back as the 1970s. Yet they still took him back in 1996 because they knew there was a realistic shot at making a lot of money - millions of dollars they hadn't seen in well over a decade. They were in financial ruin and they still brought in this alleged antisemitic member? No, real Jews don't make sacrifices like this. It is that simple. They long ago traded in their heritage for money. Period.
Anyway, even today I can't get into Frehley's Comet. I bought Trouble Walkin' when it came out but didn't like it either. I did not realize Anomaly came out until 2 or 3 years after the fact when I read No Regrets. I gave it a shot and was really quite blown away by it. Strong from end to end with no filler. Space Invader was pretty good too, but not the masterpiece I feel Anomaly is. I was a bit disappointed with Spaceman, but it has a few moments.
The biggest problem with 10,000 Volts is Steve Brown. I could have produced and arranged a better record. There are plenty of good riffs and partial courses to work with, but a lot of the stylistic decisions are not servicing Ace Frehley as a solo artist. I wrote an extended review on the Steve Hoffman forum for the details (KISS End of Road thread). But it does get better with each listen. So why did I give it five stars? Well, it's better than Hackney Diamonds from the Stones and it's better than The Who's latest self-titled album. It holds up to those records' quality, relative to their respective back catalogs. 10,000 Volts deserves five stars in some genre, just not necessarily the pure Ace genre. It is largely a missed opportunity.
It's amusing to me that people are criticizing lyrics from anything that came from a KISS member. You can't like KISS and criticize the lyrics on this album at the same time; it's a paradox.