Hayley Maclachlan

A beautifully sad film. Take no notice of the critics.

Why, Todd Phillips? Musicals should be left for Broadway! Joker was a masterpiece, while Folie à Deux isn't worthy of being its sequel. What a colossal disappointment.

The irony is mindblowing. What Joey King's Instagram portays is basically what her character, Tally Youngblood, is fighting against.

Not a patch on the original Beetlejuice. Everything was chaotic, with no real direction or purpose. What was the point of "Delores" (Monica Bellucci) and "Wolf Jackson" (Willem Dafoe)? Their characters were futile and never amounted to anything significant. "Bob" was the most interesting and funny character, and he didn't even speak.

Great show, very entertaining. However, the reason for my star deduction is because of all the white-bashing (which I'm sick of). Desean K. Terry who plays Daniel Henderson, bitched about white people throughout the entire show, and his only dialogue was his "woe is me" and playing the race card. Did he ever stop to wonder that the reason he didn't get lead news anchor, was simply because he wasn't good enough and not because he was black?

People today are easily pleased. This film is boring.

Another one bites the (moon) dust.

Yet another terrible film. They seem to be mass produced this badly since Covid, bizarrely enough. When Martin Scorsese gets together with Robert De Niro and Leonardo DiCaprio, and they can't make a good film (Killers of the Flower Moon was boring), there's no hope for the rest of you.

Not even Kathy Bates could improve this trainwreck. As for Nicole Kidman, her "acting" is questionable.

I used to rely on the IMDb ratings for choosing films/shows to watch, but not anymore. The First Omen is an example of that, IMDb rates it 6.7/10 when the film was rubbish and barely worthy of 5.0/10.