Aashiq is driving at night to deliver a packet, while phone calls from his wife and others keep coming in. While he says one lie after the other to each of them, unsuccessfully, he also gets a call from his sister in Bengaluru, hinting that she might be in danger. Making a story set in a moving vehicle a compelling watch is hardly easy. Film gets unfurled mostly in its protagonist's journey in the night, as constant phone calls and other interruptions disrupt things for him. Aashiq is caught up in various financial issues and as he drives in the night to get a 'packet' delivered, he gets numerous calls. One of the calls is from his sister, Aashna, and as it abruptly ends, he feels she is in danger. How well will the man handle the crisis? The movie is mostly a curious experiment with a single man appearing on screen for the longest time, though a few others make an appearance later. His distracted driving, often-concocted responses to phone calls and the dimly-lit night roads that form the backdrop build a sense of peril and bewilderment in the beginning, making the viewer wonder where it's all headed.
Overall it's not just another experimental film but a new cinematic experience.