americanppie1986 Ghjmmkhgg

Honestly, I have always disowned films made from the third one; because these are not worthy of the saga and have nothing to do with any of the events that occur in the originals (the fact that he shoehorned in Stifler's invented relatives does not serve me) But here... Here we see the same kids again... boys in the bodies of men but who are still boys, who meet again with various purposes (which they do not know among themselves and with themselves): The one who does not want to mature, the one who surrenders to married life, the one who does not know if his courtship suits him etc... In this film we see a progression; Which is how the characters develop and therefore evolve. Those characters that we fans and not so fans of this saga have so much affection for... We (at least I) are grateful to see how a movie that began with some guys who wanted to lose their virginity, ended up as a saga of

The film is reinvented within the saga, and recreates original and very funny scenes; not using gags from the two previous films. This is very clever since many comic sagas use scenes that have worked, and at the end of so much repetition the effect runs out. In short, it is a third part that works very well and continues to be fun from the beginning to the end. It is a saga that laughs at the teenage movies themselves, and that manages to make you laugh thanks to some very well spun and very well carried gags. Scenes that work almost entirely and that meet the objective of entertaining, without being unpleasant either (although I recognize that the truffle scene is to turn your face away, but without stopping laughing).

Until the appearance of this film, every time we were told about the genre of teenagers desperate for sex it was impossible to avoid thinking of that fat owner of a nightclub called Porky. This individual, or rather, the film that took his name, marked the canons of this type of film in the early 80s: mischievous jokes, embarrassing situations, a group of teenagers capable of fornicating to a tree, and a final moralizing with large doses of romanticism. This, which meant the rebirth of this genre, has its great virtue in perfectly combining these canons with very ingenious and peculiar characterizations of characters who throughout the film end up discovering the truth about the relationships between men and women. The main character of this feature film is Jim, a boy who is more out than the peak of a table and with enormous problems communicating with a woman. Most of the best gags of the film will come from it, especially

Until the appearance of this film, every time we were told about the genre of teenagers desperate for sex it was impossible to avoid thinking of that fat owner of a nightclub called Porky. This individual, or rather, the film that took his name, marked the canons of this type of film in the early 80s: mischievous jokes, embarrassing situations, a group of teenagers capable of fornicating to a tree, and a final moralizing with large doses of romanticism. This, which meant the rebirth of this genre, has its great virtue in perfectly combining these canons with very ingenious and peculiar characterizations of characters who throughout the film end up discovering the truth about the relationships between men and women. The main character of this feature film is Jim, a boy who is more out than the peak of a table and with enormous problems communicating with a woman. Most of the best gags of the film will come from it, especially