Richard Stephens

This documentary was terribly edited. Five minutes were devoted to a "debate" between Mitt and his son over an airport food court. Perhaps the most unintentionally funny and awkward part -- besides Mitt waxing nostalgic over burning leaves as a child -- was the ending. Mitt lost the election and his Secret Service detail dropped him off at home. The show ends with Mitt staring out his window, with his wife staring at him with a painted face. It could have been captioned, "Well that sucked!" or "That was a big waste of time!" Unfortunately, this not only pertains to Mitt's presidential run, but to the documentary itself. 3 stars for light hearted moments and Mitt being a bright guy with a solid family. Again, the editing was more akin to a sloppy family-video scrapbook than to conveying a story or message with any real substance.

Jason Statham at the gas pump -- that scene alone is worth the price of admission.

By FAR the best of the series. Stifler is at his finest, causing all sorts of mayhem and carrying a sharp cast of characters.

For this film to receive a 79 approval rating is a travesty, especially when the latest garbage Star Wars offerings are in the 90s. Louis Gossett Jr. and Richard Gere turn in outstanding performances. For my money though, Debra Winger is the glue that holds the entire thing together. Her character provides the love, foundation, and meaning for Gere's "Mayo." Remove her from the movie, and Gere's character would never fully grow and redeem himself as a human being.The script is exceptionally well written and subtly addresses issues from childhood and their impact on every main character (except Gossett Jr's). If you haven't watched it, you really are missing out.

Very strong movie that makes for multiple viewings. I think Iron Giant was sold short but damned if Gundam didn't gain rock star status with all of 2 minutes screen time in an epic throwdown. This movie has something for everyone: the old, the young, obviously gamers, the downtrodden, etc. There are many strong social messages that are so subtle you might miss them if you aren't paying attention.

We've officially crossed the barrier into slash flick territory. With each gory death, I wondered how much further into Texas Chainsaw Massacre territory we could possibly go. This film has a blood-and-guts target audience of 13 to 21-year-old males, and those who wistfully remember how good the original was. I can firmly say this -- Sly's unending quest to remain relevant and prove he still "has it" should be done in private or in a mental health setting, not on movie screens while people pay him to handle his business.

If a relatively fit Harrison Ford would have properly kicked the ass of an aging one-armed man, the movie would have been over in less than 5 minutes. Somehow he lost that fight and spent the next few weeks paying for it, big-time.

Horrible, boring movie. I spent two hours watching Amy Adams learn to communicate with interstellar squids. I'm embarrassed to be part of a human race that overwhelming voted this turd as "must see" cinematography.

Loved this movie. I had a hard time wrapping my head around the idea of Jake Gyllenhaal (or the teacher whose body he took on) as a burly enforcer whom everyone feared, but aside from that, it was a very good movie. Vera Farmiga was an extremely strong supporting actor.