Marty Carlisle

A mellow gem. Elton's separation from Taupin seemed shocking --especially since he'd just fired longtime drummer Nigel Olsson and bass player Dee Murray two years earlier. Even with these drastic personnel changes, the album still plays well. If you enjoyed his previous records you'll find this album a quiet re-centering of his skills.

A disco album without an ounce of effort. Lifeless....

The well of Elton's creativity seemed to have run dry on this album. And no wonder -- releasing two albums per year as he contracted with MCA Records to produce, for five the previous five years would drain any artist's well. This sprawling two record set simply yawned too large for EJ to fill with his usual quality music. Even if Blue Moves had been reduced to a single disc, the album would still be sub-par. He needed a break. And it showed on this record.

Despite critical reviews, which I never understood, I found this album quite enjoyable. It's packed with Elton's funky style. The Tower Of Power horns added sharpness to EJ's quipping melodies and biting vocals. I still play it.