Wayne Fernandes

"Dunki" ventures into the intricate realms of immigration, shedding light on the struggles of the underprivileged who resort to illegal means due to visa constraints. The narrative unveils the harsh realities faced by those unable to migrate legally, a concept commendably executed in the initial segments. However, as the storyline unfolds in London, certain scenes, notably the church episode, evoke communal questions and misrepresentations. The portrayal of rituals, like the pronouncement of marriage upon a kiss, deviates from reality and lacks sensitivity, undermining the essence of religious beliefs. Director Mr. Hirani's approach in this regard falls short, missing the mark of tasteful storytelling. Furthermore, the film's tendency towards exaggeration compromises the authenticity of emotions and societal sentiments. Despite Shahrukh's portrayal of a soldier, his character's unethical methods tarnish the integrity of patriotism, raising critical questions about moral compasses. The romantic subplot between Shahrukh's character and Manu is marred by manipulation and betrayal, reflecting poorly on the narrative's depth and character development. Manu's eventual return after 25 years, driven solely by selfish motives, amplifies the disconnection between characters and audience empathy. While the first part of the film exhibits promise, the latter disappoints, ultimately leaving audiences disenchanted. "Dunki" receives a modest rating of 2 out of 5, signaling a missed opportunity to deliver a compelling cinematic experience.