Kathy Bryson

Meticulous and gentle character development amid traumatic catastrophe - nuanced performances excel. Do not anticipate endless “action movie genre” - this is Yale MFA level acting resolving conflicts of death as we all must.

I’m 73. The love for 45 years of my life died before Christmas 2023 in his mid-80s - a good death being held in my arms at home. This is a remarkable view of a family’s voyage to the father’s good death - and very real. We all die. Everyone should watch this film. Alone or shared. A paean to the fathers of this world with daughters - mine had four amazing daughters.

Extraordinary. In this extreme bipartisan climate, I felt I was watching a probable branch on our time stream. Well drawn personal and professional relationships. A dystopia too close for comfort.

Entertaining. Campy. Delightful “horror” movie. Seek no redeeming religious message in this amusing sendup of the Exorcist redux lineage.

Well, not surprised that a show set in Texas attracted extreme right wing reviews. Good show. Texas is being destroyed by right wing extremism says this cradle Texas Republican descended from Sam Houston and Germans settling state.

Precious, entertaining, quirky - but anything with Jemaine Clement has an elevated humorous twist to it. A gentle revisionist perspective on global history that I needed in this time of cultural conflict. Would be a good show for adults and children to view together.

An upscale Hallmark movie! As an older woman who’s also widowed, nice fantasy to inhabit the mature sensitive maternal figure indulging in the physical and emotional pleasures of a developing younger male - developing in sense of still defining his identity. And horrifying the daughter.

Nostalgia is good Kitschy characters charming

A nice change to usual streaming fare - realistic and compassionate

Extraordinary. Bingeable. Best cast conceivable. William Hurt in season 2 exemplified the possibility of redemption from the spirit of destructive evil indwelling every character. All characters are self - and other-sabotaging. Remarkable to see Ellen Parsons’ devolving ethics in her pursuit of revenge.