Nuala C. Galbari

Fantastic Beasts: The Secrets of Dumbledore opened this week and drew the largest numbers I have yet seen, since the beginning of our 'troubled times'. It was comforting to see a small crowd of people, well spaced, in the theater. Although critiques vary on this film, as an enthusiast of both Harry Potter and Fantastic Beasts, I feel the film in underrated by critics and well rated by the public at 84% or higher. Yes, Johnny Depp was let go and replaced by the excellent Danish actor, who stepped in late, yet fulfills the role with outstanding skill, in addition to an already excellent cast. The script is strong, the acting solid in every respect, and the effects though stunning, do not override the importance of a good script and outstanding performances. Jude Law, as the young Dumbledore, takes center stage in this film and is highly adept at stepping into the shoes of past, classic actors in the role, although Eddie Redmayne's Scamander, remains central to the plot. The film is exceptionally stylish, with luscious costumes, and it mirrors Hollywood glamor on many levels. There are new cast members who provide both color and intrigue to this episode. A visit to Hogwarts, to meet new young students, and a young Minerva McGonagall, is also a delight in the film, with the Harry Potter theme taking us into the school's great dining hall (although John Cleese is not floating about this time). There are some vital and wise lines, often from Redmayne, that remain with you after the film. As always, the wisdom related is presented in a gentle and thoughtful way. There are some very dark scenes, of course, as one expects, and sadness to touch the heart, yet Scamander's Hufflepuff character sews it all together with kindness, empathy, and hope for better days, Fantastic Beasts: The Secrets of Dumbledore, is a film of our time, whether in its wizarding world or the real world. And, of course, Dumbledore has the last, hopeful words.... This film is brilliantly directed, and OSCAR-worthy in its acting, sound, special effects, script and its ravishing film score by James Newton-Howard.

Downton Abbey continues to prove that perfection in writing, acting, directing, producing, cinematography, set design, location and casting, and in the finest attention to the minutest detail and period accuracy, all coalesce to produce perfection. Kudos, once again, to the costume management and staff for its luscious costuming. Downton Abbey has achieved another goal: it stands on its own in film, as well as in television series production. And, it reminds us that beautiful language will never be out of fashion.