Pawan Kumar Tiwari

Sister Midnight is a haunting, surreal journey through a crumbling marriage. Radhika Apte shines as Uma, a woman trapped in emotional decay and societal expectations. The film blends realism, dark fantasy, and horror, but its fragmented narrative may alienate some viewers. Visually rich yet emotionally disturbing, it's a bold, divisive watch—either deeply profound or frustratingly obscure. Not for the faint-hearted, but unforgettable for the brave.

A Masterclass in How Not to Make a Film 1. Story: A Script That Went Missing It’s hard to talk about the story because, quite frankly, it felt like there wasn’t one. The movie begins somewhere—though it’s never clear exactly where—and quickly loses any sense of direction. It seemed as if the writers had an idea, got distracted mid-way, and just never returned to finish the job. The plot meandered aimlessly, hopping from scene to scene without logic or purpose. It honestly felt like the budget was spent entirely on casting a lineup of forgotten, flop actresses—leaving nothing for scriptwriting, locations, or even a basic storyline. 2. Acting: Or Rather, the Lack of It If there was one consistent theme across all performances, it was a collective decision to *avoid* acting. Everyone on screen looked like they had been told, "Please don't emote, it might confuse the audience." Characters delivered dialogues like they were reading instructions off a cereal box. There was no chemistry, no timing, and no effort. It almost seemed like the entire cast was in on some inside joke—*let’s see how far we can go without actually acting*. 3. Overcrowded and Underused The film tried to juggle so many characters that it turned into an unintentional circus. There were so many people on screen at once that it was hard to tell who the story was actually about. Each new character added more confusion, not depth. No one had a clear arc, no role was justified, and every entry felt like a forced cameo. It felt like the director invited every available actor on set and told them to just "stand somewhere and look busy." A Waste of Time (And Sanity) In the end, this movie is a lesson in wasted potential. It had nothing going for it—not story, not performances, not direction. If this was meant to be a comedy, it was accidentally tragic. If it was supposed to be a drama, it turned out to be unintentionally hilarious. The only real emotion it succeeded in evoking was regret—regret for watching it. Avoid at all costs unless you’re studying film failures.

Elements of Western culture are increasingly emphasized in the film industry, possibly influenced by funding from foreign sources, which they argue may impact traditional Indian cultural values.

Not at all possible to watch full movie....

Excellent movie.. The person who enjoyed his own song in his marriage... Lead were selected perfectly and they were 100% in delivery.

इस फिल्म का सबसे बड़ा मजाक था सावरकर, वह सुभाष चंद्र बोस को आजाद हिन्द फौज बनाने का आईडिया देते, भगत सिंह को शिक्षा देते-गले लगाते नजर आते हैं. उनके विचार खुदीराम बोस समेत कई ऐतिहासिक शहीदों के किरदारों में क्रांति की ज्वाला जगाते दिखते हैं मुझे तो डर था कंही वो मोदी जी को नोट बंदी का आईडिया देते न नजर जाये निहायती घटिया और प्रोपेगंडा फिल्म है

I was very disappointed by this movie. The acting was poor, the story was based on propaganda, the truth was distorted by fiction, and the agenda was communal. The movie failed to deliver any meaningful message or entertainment value. It was a waste of time and money. I do not recommend this movie to anyone who values quality cinema or factual accuracy

3rd Class movie with heavy casting without acting. You can predict next scene without any miracle.

More communal than patriotic. Gadar-1 was clear towards love your family and country Gadar -2 is spreading hate between Hindu & Moslem... Casting - 1.5/5 Acting - 0.5/5 Story - 0/5 And about direction... I think director was on honeymoon...