A young woman leaves her mentor behind, inspired to discover her identity with a fearless drifter.
If T.Chalamet and T.Russel seem like the Dionysian lust of youth, the old man of the movie, as played by Mike Rylance, seems like an Appolonian logician, cautioning our protagonist against excess from the get.
Exuding vulnerability, concern and menace in equal portion, M.Rylance's soft-spoken presence is more frightening than any flesh eating that may occur in the film.
A road movie, viewers are confronted with changes and scenarios that create conflict between being a frail, feeling human and being a remorseless ghoul.
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I liked this play on the coming of age trope.
I feel like it's thinking about lgbtq relations of abusive mentorship and the terror older people feel as their lovers outgrow them and move on in a world that sort of hates them.
Who knows though! Its a great movie! Chefs kiss!