Yu Mengci

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Joker: Folie à Deux promised to build on the dark, gritty character study that made the first Joker film a bold standout, but somehow it veered far off course. It’s as if they tried to blend the twisted psyche of Gotham’s villain with the song-and-dance fantasy of La La Land ( love this movie ) —an odd choice, to say the least, and one that doesn’t mesh. The film throws musical numbers into the mix, with surreal, glitzy sequences that jar against the raw tension that defined Arthur Fleck in the first movie. It’s difficult to tell whether they’re aiming for satire, style, or spectacle, but the tonal shift feels forced and confusing. The production value may be high, but it comes across as superficial rather than enhancing the storyline or the Joker’s complex descent into madness. In the end, the movie feels as though it’s trying too hard to recapture the essence of Joker while throwing in musical elements that detract from what could have been a compelling follow-up. Lady Gaga’s performance in Joker: Folie à Deux feels lackluster, especially given the high expectations surrounding her role. Despite her natural stage presence, her portrayal here lacks the depth and nuance required to bring this complex character to life. It feels like a missed opportunity for a more seasoned actress who might have dedicated years honing the craft, rather than stepping into roles due to fame and marketability. While Gaga is undeniably talented, her rapid ascent to leading roles in film, seemingly driven by her star power and commercial draw, raises questions about the balance between celebrity appeal and genuine acting skill. Casting her in such a pivotal role might bring in audiences, but it often feels like a disservice to actors who have committed themselves to the craft.