DEBARATI PAL

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Haq (2025), directed by Suparn S. Varma, is a gripping and socially relevant courtroom drama inspired by the historic Shah Bano case and the book Bano: Bharat Ki Beti by Jigna Vora. Set against the backdrop of faith, gender, and law, the film follows Shazia Bano, played by Yami Gautam, who takes on her lawyer-husband Abbas Khan (Emraan Hashmi) in a fight for her dignity, maintenance, and rights. Yami delivers one of her finest performances yet—portraying Shazia’s quiet strength, heartbreak, and moral courage with an intensity that feels raw and real. She embodies grace under pressure, balancing vulnerability with resilience, and makes every courtroom scene deeply compelling. Emraan Hashmi gives a nuanced performance as Abbas Khan, not a typical antagonist but a flawed man torn between ego and law. The supporting cast adds richness to the narrative—Sheeba Chaddha as Bela Jain, Shazia’s lawyer, brings remarkable depth; Danish Husain as Maulvi Basheer Anwer gives the film a humane dimension; Vartika Singh, Paridhi Sharma, S M Zaheer, Aseem Hattangady, Rahul Mittra, and Anang Desai all make solid contributions that round out the world of this emotionally charged story. What stands out most about Haq is its maturity—the film refuses to rely on melodrama, instead delivering authenticity and emotional weight through subtle direction and powerful dialogue. While the pacing slows down at times and the music is forgettable, Yami Gautam’s commanding performance elevates every frame, making the film’s 136-minute runtime worth every moment. Haq is not just a movie but an experience—a blend of legal realism, human emotion, and a strong message about justice and womanhood in modern India. My rating: 4 out of 5 stars—a powerful, well-acted film led by Yami Gautam’s unforgettable performance that cements her as one of the finest actresses of this generation.

Haq

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Ek Ladki Ko Dekha Toh Aisa Laga may not be a completely new story, but watching it after six years still felt surprisingly good. The film deals with love, acceptance, and family emotions in a very gentle and sensitive way. It’s not about drama or twists — it’s about the courage to be yourself and the people who stand by you. Sonam Kapoor delivers a sincere and honest performance, and it was beautiful to see her share screen space with her real-life father, Anil Kapoor — their emotional moments as father and daughter are deeply touching. Rajkummar Rao brings charm and innocence to his role, while Juhi Chawla lights up every frame with her warmth and comic timing. The supporting cast, small-town setting, and soulful music make the film feel simple yet impactful. Even if it wasn’t a big hit when it released, it deserves appreciation for the message it carried ahead of its time. Watching it after 6 years reminded me how love stories can still be meaningful without grandness — sometimes, just honesty and emotion are enough. ⭐️⭐️⭐️/5

Ek Ladki Ko Dekha Toh Aisa Laga

I found Do You Wanna Partner? to be an enjoyable, fresh-brewed take on female friendship, ambition and the start-up hustle in India. The story centres on Tamannaah Bhatia as Shikha and Diana Penty as Anahita, two tenacious best friends who decide to launch a craft beer business in a male-dominated industry. Their chemistry is natural, the humour light and the premise—two women making their mark in an unconventional space—offers some welcome empowerment. The ensemble cast is strong: alongside the leads, we have Nakuul Mehta, Jaaved Jaafery, Neeraj Kabi, Shweta Tiwari, Sufi Motiwala, Rannvijay Singha and several in strong supporting roles. What works: the concept is quirky and timely, the leads are likable, and the series manages to balance drama and comedy in a breezy way. I felt engaged by their journey and rooted for them. What holds it back (hence 4 and not 5): at times the pacing is uneven, some plot moments lean too predictable and the depth of character arcs could have been pushed further. But overall, for a light-yet-meaningful OTT watch, it hits the mark.

Do You Wanna Partner

I watched Sitaare Zameen Par and honestly, I had tears in my eyes by the end. The film beautifully captured emotions, innocence, and the struggles of specially-abled children in a way that touched my heart deeply. Aamir Khan once again delivered a soulful and sensitive performance, portraying empathy and hope just as powerfully as in Taare Zameen Par. The cast selection was absolutely perfect — every child actor performed with such honesty that it felt real, not acted. Each of the specially-abled kids, including those with Down syndrome, autism, and learning disabilities, brought so much life and purity to their roles that I couldn’t hold back my tears. Their smiles, their pain, their determination — everything was portrayed so naturally. It honestly broke my heart that Sitaare Zameen Par didn’t receive the level of appreciation it truly deserved, because every actor, especially the children and Aamir Khan, poured their hearts into making this film a masterpiece of emotions, compassion, and humanity.

Sitaare Zameen Par

I absolutely loved Metro… In Dino. It’s not just another Bollywood movie — it’s a mood. Anurag Basu once again proves that he can turn ordinary emotions into extraordinary stories. The way he connected different lives and emotions in one frame reminded me of Life in a... Metro, but this time, it felt fresher, softer, and more emotional. The performances were all heart — Aditya Roy Kapur, Sara Ali Khan, Anupam Kher, Konkona Sen Sharma, Pankaj Tripathi, Neena Gupta, Fatima Sana Shaikh, Ali Fazal — everyone had their own spark. Each story felt so real and yet so cinematic. The music by Pritam was pure magic. The songs blended beautifully into the narrative — not as interruptions but as emotional bridges. The background score and the lyrical emotions truly made the film shine even more. It’s sad that Metro… In Dino didn’t get as much appreciation as it deserved. Maybe because audiences today look more for fast-paced stories or star power than soulful storytelling. But for those who love layered emotions, soft heartbreaks, and human connections — this film is a gem. ⭐ My Rating: 4/5 A touching, musical slice of life that stays with you long after the end credits roll.

Metro In Dino

Rating: ★★★☆☆ Govinda Naam Mera begins with a promising mix of comedy, romance, and mystery, but it quickly loses its charm. Within the first 30 minutes, the story starts to feel repetitive, and the twists become predictable, making it hard to stay fully engaged. Cast: Vicky Kaushal, Kiara Advani, Bhumi Pednekar, Govinda (special appearance) Vicky Kaushal carries the film with his energy and comic timing, while Kiara Advani and Bhumi Pednekar deliver solid performances. Govinda’s cameo adds a fun, nostalgic moment, but even that isn’t enough to fully revive the pacing issues. The movie has moments of humor and some entertaining sequences, but the lack of a strong, consistent storyline prevents it from being truly engaging. Fans of the actors may enjoy it, but viewers looking for a tightly-woven plot may feel disappointed. Overall, it’s an average entertainer — fun in bits, but you may lose interest before it reaches its climax.

Govinda Naam Mera

Rating: ★★½☆☆ Chor Nikal Ke Bhaga attempts to blend the thrills of a heist with the tension of a hijacking but ultimately falls short in delivering a compelling narrative. The film's concept, while intriguing on paper, lacks the depth and execution needed to fully engage the audience. The performances, however, are commendable. Yami Gautam portrays Neha Grover with sincerity, bringing a sense of urgency to her character. Sunny Kaushal as Ankit Sethi complements her well, though their chemistry doesn't quite reach the heights expected for a film centered around their relationship. Sharad Kelkar adds gravitas to his role as the investigation officer, providing a steady presence amidst the chaos. Despite the strong performances, the film's pacing and predictable twists hinder its potential. The narrative struggles to maintain momentum, and the lack of suspense diminishes the impact of the high-stakes situations. In conclusion, while Chor Nikal Ke Bhaga offers a promising premise and solid performances, it fails to capitalize on its potential, resulting in a film that is more forgettable than thrilling.

Chor Nikal Ke Bhaga

Rating: ★★½☆☆ Dhoom Dhaam is a fast-paced action-comedy that attempts to blend romance, suspense, and humor but falls short of delivering a cohesive and engaging experience. The film follows newlyweds Koyal (Yami Gautam Dhar) and Veer (Pratik Gandhi) as they are thrust into chaos on their wedding night, leading to a series of comedic and action-packed events. While the premise holds promise, the execution feels uneven. The chemistry between the leads is palpable, and their performances are commendable, but the storyline lacks depth and relies heavily on clichés. The film's pacing is erratic, with moments of genuine humor overshadowed by predictable twists and underdeveloped subplots. Despite its shortcomings, Dhoom Dhaam offers light entertainment for viewers seeking a casual watch. It's a film that doesn't take itself too seriously and provides some laughs, though it doesn't leave a lasting impression.

Dhoom Dhaam

Rating: ★★★★☆ Ulajh is a gripping thriller that keeps you engaged with its layered narrative and tense moments. Janhvi Kapoor’s performance has improved a lot — she brings more depth, confidence, and subtlety to her role as a young IFS officer navigating political intrigue. The supporting cast, including Gulshan Devaiah, Roshan Mathew, and Adil Hussain, are solid, adding weight and nuance to the story. The film’s pacing and direction are thoughtful, making the complex plot easy to follow while maintaining suspense. Overall, Ulajh is a well-crafted film with strong performances, especially from Janhvi, making it a compelling watch.

Ulajh

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Rating: ★★★☆☆ “Vash Level 2” tried to capture the suspense and intrigue of the Shaaitan Universe of Vashikaran, but unfortunately, it couldn’t quite hold the tension or generate lasting interest. The storyline felt predictable at times, and the suspense wasn’t as gripping as expected. However, Janki Bodiwala’s screen presence was truly impressive — she carried the film with charm and intensity. The rest of the cast delivered decent performances, though none stood out as much. Overall, it’s an okay watch if you’re a fan of the genre, but it doesn’t quite reach its potential

Vash Level 2

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