siraj teli

Incredible show I've ever watched, The cameos , And the background score , Aryan Khan is the greatest director in young age, raghav and lakshay, and mouna, and Manoj pahwa, rajat bedi , and sahher bammba was cute and adorable. And dialogues and punchlines is good. Full of sense of humor, And comedy and action. And storyline was masterstroke, Bobby deol as negative role after animal was brilliant he is still savage , This types of series , and movies can be the comeback of Bollywood same as late 19s, Every cameos is amazing including ranbir ,salman, and srk, aamir , raja mouli,ranvir, Baadshah, and also arshad warsi, What a series deserve and oscar as well as director and actors. At the last how new comer struggle to get films watch every second of this film is worth watching it may made you day happy.

Greatest film of all time very expensive movie also and the acting of all actors, Brad pitt , javier bardem , damson idris, Kerry condon very impressive this film is real worth watching every single second is great also hans zimmer background made epic this film also songs are amazing dialogues also delivered really great 👍

Greatest film naseruddin shah as villain was superb and his dialogue deliveries was nice, And SRK and pooja bhatt was so beautiful together .. and ramya krishnan was very pretty .. great story line and anupam kher supporting role is worth it.

Very scary and little disturbing but the film was amazing I had never watched 19s hollywood black and white film but the villain norman bates and marion crane role was fine even 2 multiple personalities in that century was amazing so great time experienced I had..

Greatest film of all time shahrukh khan and dalip tahil , both are antagonist and protagonist in same film best acting of all time and Siddharth ray special appearance kajol acting was too good and background score was incredible my childhood memories refreshed ..

Lucifer (2019) – The Beginning of a Powerful Legacy Lucifer is not just a political action-thriller — it’s the birth of an epic cinematic universe. Directed by Prithviraj Sukumaran, with Mohanlal in the lead as the mysterious and powerful Stephen Nedumpally, this film marks a turning point in Indian cinema, especially Malayalam films. Mohanlal’s presence is magnetic — he doesn’t need loud dialogues or over-the-top heroism. His silence, his eyes, and his slow walks say it all. His character, who turns out to be Khureshi-Ab’raam, is brilliantly layered — a mix of power, mystery, and emotion. Prithviraj, as director, delivered something truly visionary. His direction was sharp, clean, and cinematic — almost Hollywood-like. The political commentary is smartly handled, not forced or preachy. You can sense real truths hidden behind the story — how power, media, politics, and business work hand-in-hand in corrupt ways. The background music, action scenes, and cinematography are world-class. There’s elegance in the way each frame is shot. It’s stylish yet grounded in reality. The whole vibe feels international, but the soul is completely Indian. Priya Warrier had a short role, but her emotional presence gave a soft touch to the otherwise intense narrative. Tovino Thomas, Manju Warrier, and Vivek Oberoi as the antagonist all gave standout performances. What I personally loved about Lucifer is how it blends mass appeal with class cinema. It’s not just for fans of Mohanlal or political thrillers — it’s for anyone who loves meaningful storytelling with depth. This film set the stage for Empuraan and hopefully L3: Kerala in the future. It laid the foundation for something huge — a story not only of one man, but of an entire system. Lucifer is a revolution in Indian cinema. A perfect mix of storytelling, direction, and a performance that only someone like Mohanlal can deliver. It’s not just entertainment — it’s an experience.

Jaat (2024) – Worst Film of the Year, Stuck in the Past I honestly don’t understand how films like Jaat are still being made in 2024. It feels like a dusty reel from the 90s—loud dialogues, flying goons, exaggerated action, and the same tired glorification of one caste. The movie adds nothing new to the industry except cringe. The whole story revolves around toxic masculinity and outdated caste-based pride—are we really still living in the name of casteism? Sunny Deol’s performance is just yelling and more yelling. No real acting, no emotions, and definitely no depth. His action scenes are laughable—goons flying around like cartoons, zero realism. It’s like watching an action spoof instead of a serious movie. His fans turn theaters into asylums with their over-the-top reactions, clapping for every shout and punch like it's 1990 again. Even talented actors like Randeep Hooda couldn’t save this sinking ship. The dialogues are stale, the screenplay is predictable, and the whole "one-man-army" concept is overdone to death. The poster carrying a fan was just as bizarre as the logic in the film. The songs? Forgettable. The message? Non-existent. This movie glorifies mindless violence, caste ego, and senseless drama. If this is the future of Indian cinema, we’re in trouble. Even a recent film like Sikandar—which many thought wouldn’t work—felt way better compared to this disaster. It had some purpose, some message. Jaat is just a chaotic shout fest. Bollywood needs to move forward, not backwards. Please, let this be the last of its kind.

L2: Empuraan – A Bold, Brilliant Sequel with Powerful Message L2: Empuraan isn’t just a sequel to Lucifer, it’s a cinematic statement. This film goes far beyond traditional storytelling—it fearlessly touches on deep political issues, including a bold reference to the 2002 Gujarat riots and the hidden realities behind them. It’s rare for Indian cinema to hold a mirror to such dark truths, and Empuraan does it with class, intensity, and courage. Mohanlal once again proves why he’s not just a Malayalam superstar but one of the greatest Indian actors of all time. His screen presence is magnetic, and his calm yet commanding portrayal is unmatched. Prithviraj Sukumaran, both as director and actor, is a gem—his vision is sharp, and his storytelling is fearless. The script is masterfully written. The action is raw, grounded, and gripping. And the narrative keeps you hooked from start to finish—this isn’t just entertainment, it’s a layered political thriller that makes you think. This movie deserves way more love and recognition, especially for exposing uncomfortable truths with elegance. L2: Empuraan is not propaganda—it’s perspective, and it’s powerful. A must-watch for those who still believe cinema can speak truth to power.

Kedarnath (2018) – A Beautiful Love Story with Stunning Visuals Kedarnath is a deeply emotional and visually breathtaking film. Sushant Singh Rajput delivers a brilliant performance as a brave and kind-hearted Muslim porter, and Sara Ali Khan impresses in her debut. Their love story is heartfelt and beautifully portrayed. The VFX showcasing the Kedarnath floods is outstanding, making the disaster feel real and intense. The direction is solid, blending romance, faith, and tragedy perfectly. This film is a must-watch, not just for its love story but also for its powerful message and stunning cinematography. Rest in peace, Sushant Singh Rajput 🕊️✌🏻 – A phenomenal actor and a truly kind human being. He will always be remembered as a great talent and an inspiring personality.

This film is an absolute classic! Aamir Khan delivers a power-packed performance as an honest cop, and Paresh Rawal’s villainous role is just legendary. Mamta Kulkarni is stunning, and the supporting cast, including Mukesh Rishi, Ashish Vidyarthi, and Kulbhushan Kharbanda, makes the film even better. The action sequences and storyline feel like a Hollywood thriller, and Ashutosh Gowariker’s direction is top-notch. Every second of Baazi is worth watching—one of the most underrated gems of the 90s! 🔥 If you haven’t watched it yet, you’re missing out! 💯