Pratap Chanpa – Google

The movie Agni, directed by Rahul Dholakia, is a gripping tribute to the courage and sacrifice of firefighters. Starring Pratik Gandhi as Vithal SURVE, a fireman grappling with personal and professional challenges, the film delves into themes of unsung heroism and societal indifference. Divyenndu Sharma adds intensity as a policeman, with their relationship forming the emotional core of the narrative. While the story occasionally drifts into melodrama, its exploration of heroism and family dynamics keeps it compelling. Agni is both thrilling and thought-provoking, earning praise for its performances and depth.

Raado is a gripping and hard-hitting film that successfully establishes Gujarati cinema as capable of tackling intense socio-political narratives. Directed by Krishnadev Yagnik, the movie dives deep into the themes of power, corruption, and rebellion, offering an unflinching portrayal of the struggles within a deeply fragmented system. The story revolves around a volatile region where power-hungry politicians, corrupt officials, and oppressed citizens are caught in a web of chaos. The narrative’s strength lies in its raw realism, with each character embodying the shades of morality that reflect society's complexity. The screenplay is packed with high-voltage drama, action, and moments that keep you at the edge of your seat. The performances are remarkable, with Hiten Kumar delivering a powerhouse portrayal of a character whose intensity drives the story forward. The supporting cast, including Yash Soni and Tarjanee Bhadla, bring depth to their roles, ensuring every subplot holds weight. Technically, Raado is impressive. The cinematography by Pratik Parmar captures the gritty essence of the story's setting, while the background score elevates the tension, pulling the viewer deeper into the narrative. The action sequences are choreographed with precision, adding to the movie's raw appeal. However, the film does have moments where the pacing feels uneven, particularly in the first half, as