The objective of this film is to belittle the image of Winston Churchill as much as possible and to portray him as a lunatic clown. In it, the docu-drama genre has reached its pinnacle: complete congruence with fake-news, post-modern, deconstructed history. Political correctness is also given its due: two females, Clemmy and the typist ms. Garrett, save humanity from that unstable, drunkard, cigar- and cognac-consuming nobody but an orator.