Laura Jonas

Mickey 17 is both funny and thought-provoking, raising ethical questions about humanity’s future. It serves as a cautionary tale about the dangers of mixing religion with politics while disregarding our own beliefs. The film highlights our unpreparedness to explore the universe, as we remain driven by control and sacrifice at the expense of others. Robert Pattinson delivers a compelling performance, seamlessly shifting between personalities, while Bong Joon Ho once again proves his mastery in storytelling and direction.

Olivia Cooke shines as Becky, portraying her character’s complexity and ambition with skill. Her performance gives depth to Becky’s ruthlessness, making her both captivating and frustrating. The pacing of the series is carefully measured, sometimes stretching a bit slowly, but this pacing lets the audience fully appreciate the narrative's nuances and the characters’ evolving relationships. The cinematography also stands out, with rich, painterly visuals that bring an almost theatrical feel to the storytelling. The result is a well-rounded adaptation that balances humor and drama, bringing out the ironic tone of Thackeray’s original novel. While some may find the series could push the drama a bit further, Vanity Fair remains a clever, well-executed take on a timeless story of ambition and moral compromise.

Not Olivia getting paid again to say: "Come with me" at the end of an episode lol

Kudos to the make up team. They made Olivia Cooke look really pregnant in there, and Hillary Swank looked distressed.

Incomprehensible. Chaotic, and not in a good way.

Olivia Cooke once again gravitates toward roles that center on empowering women or touch on feminist themes—a commendable choice for her career. The film does a fine job highlighting that women can thrive in traditionally male-dominated fields, like firefighting, while extending its broader message to anyone with ambition and determination. The animation is solid, complementing a familiar yet enjoyable hero-villain narrative common in children’s films. While it may not break new ground, the story is engaging enough, making it a good, though not extraordinary, family-friendly watch.

One of the few movies in which I couldn't wait for the movie to be over, and it felt like it lasted 4 hours. I was so done by chapter one. Chapter three felt like an eternity. The acting was nothing out of the ordinary. The photography was good though, I have to give them that at least, like it was shot with fairly good techniques, which is the reason why I'm rating this with one star.

This film is a peculiar gem, weaving its dark humor in ways that leave you both unsettled and thoroughly entertained. It carries a subtle echo of Midsommar, though much more restrained, and from the outset, it skillfully lures you into a seemingly familiar world before flipping it on its head. The transformation of Amanda into a sociopath and Lily into a psychopath is a brilliantly executed twist, revealing depths to their characters that are chilling yet strangely captivating. The cinematography, editing, and sound design all work in perfect harmony to elevate the atmosphere, while the performances are sharp and memorable. It’s a film that’s twisted, clever, and unexpectedly hilarious in its darkness. In a lighter note, I found myself internally rooting: kiss, kiss, kiss! throughout, adding an odd sense of fun to an already bizarre and engrossing experience.

I give this film two stars- one for Olivia Cooke's commendable performance and another for the story's untapped potential. While there’s a desire to dive deeper into critique, it’s difficult to articulate much more without frustration. The lead character’s lack of awareness and naivety felt frustrating and out of place, especially given the gritty world she inhabits. Her repeated poor decisions felt implausible and left me wondering what the film was trying to achieve. There were moments where it seemed like it was heading toward something profound, but ultimately, it never quite got there, leaving viewers with more questions than answers.

This film is a masterpiece of beauty, weaving together storytelling, editing, and cinematography with an elegance that lingers in your mind long after the credits roll. The camera work is refreshing, creative, and full of life—each shot carefully crafted like a painter's brushstroke on canvas. It's a film that transcends words, leaving me struggling to articulate the depth of emotions it stirred within me. By the second half, I was completely undone, swept away by the raw vulnerability that poured from the screen. Greg and Earl’s films within the film held a quiet magic, their stop-motion sequences capturing the fragile nature of time and memory—both of which resonate deeply with me, as I cherish creating such delicate art myself. Each frame felt like a tender echo of fleeting moments, reminding us how precious they truly are. Though the story led me to hope, tricking me into believing she might survive, her eventual passing hit with an even heavier sadness. The heartbreak of that moment was devastating, yet it made the entire experience feel more profound, as if the film had captured the very essence of life’s transient beauty. Language falls short, but my soul resonates with the depth of this film. It’s a breathtaking blend of melancholy and grace, a poignant journey that lingers long after the final frame. The film wraps itself around you, not as mere entertainment but as an emotional awakening. Its beauty and sadness are intertwined, creating an unforgettable experience that shifts something inside you.