Emma T

Started off gripping of course. But it becomes boring very quick. The anguish isn't felt at all. Very poor writing. Typical of Disney really. If it was me I'd have started with More of a focus on the daughter. Allowing the audience to get to know her and be drawn into her new friendship with the other child as well so that when the inevitable happened you feel it, you feel the betrayal too. Instead the camera follows the mother around like she's the most important part of the series. The child kidnapping is almost forgotten. Don't get me started on the dad. He's a lawyer. Meaning he spent four years in law school, refining a multitude of skills that turn him into a responsible, logical and highly functional person. And yet when he's at home he acts like an irresponsible teenager snacking on Cheetos and watching crap day time tv and Who doesn't notice their child is two hours late home. The journalist discovers a key plot point about the dad, that the police have already found. She then comes to the ludicrous decision that because the mother hasn't got an Instagram history extending a number of years that she must be hiding a whole other life. I mean come on...really? I only got Instagram a few years ago myself and I can guarantee not everyone who already had Facebook even bothered with it unless someone had a baby and they had to engage in it. The writing gives her plot ques to reveal rather than allowing the natural progression of good investigation. Typical Disney they focus on the visuals. The colour pop filters and over the top visuals. The blue walls and the paisley ducking carpets. The acting is awful. These are seasoned actors and yet I've never seen anything like it. The police officer is just cringe. The journalist is shit at her job, because a lot of her discovery (if you can call it that) is just baseless and basically something she's imagined. But yet she still calls her boss with an idea for the story like she's never gone to uni and learnt that obviously any claim has to be verified. The mum and dad don't even seem upset. I have a theory the dad planned it all with this Sarah bird he was bonking so I'll park any blame on him. But the mum I would have expected to go through a roller coaster of emotions. But there's never a blotch on that woman's skin. Nor does she look horrified. Or vague. She's just odd. Wooden acting all round. Anyway that's as far as I can go. I've stopped watching it. It's just bloody awful. Where do you find these writers?? Seriously!! I've given one star for the acting of sarah and one star for the decor of the house. Actually know I'll deduct a star because km not giving stars for how wonderful your back drop is.

I'm a huge fan of the 1981 movie so im biased. I didn't like the casting. I didn't like they cut boobo. And I didn't like that they made pegasus black. I liked the witches. I liked perseus's sword. I liked Zeus shimmering armour. But then I kept thinking of Edward Cullen. And so j was annoyed again.

This was superb. I loved all the characters and how they were put together. There was also a slight focus on elsas worry for the state of the land the more humans touched it with their "dirty hands". America's West was empty prairies and wild animals and it only took 100 years from its discovery to remove most of the green belt and start building the cities. It was poignant about the subject. The hardship of the gang was felt. It is a story so many have recounted. Some people have cited some historical inaccuracies however. And it's a little blurry. By 1883 Montana was still not a recognized state so was settled since around the 1840s but was still a free state, however Oregon became the 33rd state of the U.S. on February 14, 1859. Some comments have cited that the rail road was well established by 1883. This is not the case. A lot of the infrastructure didn't complete until the early 20th century. The Montana Railroad line was constructed between 1895 and 1903, but most of the other rail networks were connected in some way. They could have trained it for some of the journey. But the last leg to Montana was purely by horse and wagon. There are some things that annoyed me. Some decision making by some of the characters that seemed senseless. But the main star drop for me was the constant peeky boo from elsas Clip in hair extensions. If you are going to make the show authentic by growing arm out hair. Hire better stylist or give them a bigger budget. There are so many other ways other than clip ins.

Very good. But why stop there. Do other squads too from other teams.

I thought this was going to be like the amazingly well produced, written and directed films Netflix churns out. This was awful. It didn't memorialise the victims at all. They focused on Michael bay style gun fights and a weirdly cringe worthy voice over from mel Gibson. 2 dimensional acting. Writing awful. Just a terrible movie.

I really like the concept of this show. It's disaster movie cross the force. I deducted one star because of the writing. There were some things the characters did that were out of character. For example the medic who by every essence of their job is bound by structure and policy knowingly endangered her baby by coming on board and then a second time by entering the "contaminated area" The relationship between fulmer and the American woman is random. There's no character building here. Why are they in love? There's a back story here that should perhaps create some awkward tension here because by the way they are currently acting it's as though they are not a couple. Weird. The continuity is hindered. It's frustrating that there are also a few plot holes that I am hoping season two answers. But I'm not sure because they were relevant to the rig they were on. Like what fulmer was really trying to achieve with the wires. He didn't succeed but then was left unfinished because they were gassed. Yet there was no consequence to finishing the wires. The actors are amazing. I've seen their other works they're real veterans in TV. Ian glenn, Owen teale and Mark addy of game of thrones and Steve Compton of line of duty really uplift a flat script. It's the writing that lacks. They need some better writers with over active imaginations.

Actually the best thing MCU have turned out so far. Amazing story. Amazing twist. Amazing actors and writing. Well done.

Another "Prime failure", maybe a pun intended. I thought they'd learned their lesson with Rings of Power. About trying to push "the message". I got to episode three and I couldn't cope with it anymore. Cece as a character is unbearable. I don't like how seriously they take something as petty as membership numbers in a sorority. Like it's a real presidential election. I get that is does somewhat reflect real life in these prestigious schools. But what the original did really well is have that cheap petty aspects of sorority life settled enough to not be questioned so they could focus on more life engaging matters in maturity. I found it cringe worthy. The original characters had such sexual tension, such chemistry. The characters in this show are all two dimensional. No chemistry. Limited acting talent on display. Poorly written. Even the over bearing Cece. I also don't see the point of renaming Kathryn and Sebastian as Caroline and lucien if you're going to have totally wooden characters. The modern world seem to just churn out basic actors with limited talent. The gossip girl/ CI trend is dead. No one gives a $π!¥ about petty school quibbles anymore. And if this is supposed to be aimed at high schoolers. You are breeding a type of toxic school culture that quite frankly should have died with the 90s.