Neil Geisner

Not only the greatest spaghetti western, but the greatest WESTERN of all time; a movie with the level of ambition of The Good the Bad and the Ugly (1967) but which is far more CHALLENGING than that film.

Very subtle/nuanced in its compositions, yet so radical in its depiction of a savage US cavalry. The chemistry between Strauss and Bergen is electric. In that same year was released the much better known (and more acclaimed) Little Big Man, from director Arthur Penn. This film was criticized an exploitation movie (though grossly misunderstood in that regard) and that film took home all the gold. I'll say one thing about this film...the Cheyenne actually SPEAK Cheyenne and not English. So there's that...plus, it's just a better film.

extremely idealistic and surpassed by the nuance of Full Metal Jacket (1987) but nonetheless a well-made early effort from Kubrick

Just saw it on the big screen in a glorious 4K restoration at the LEGENDARY Aero theater. An ambitious, intelligent, beautifully colored, and deliciously witty musical effort from the master of stage-to-screen adaptations George Cukor.

HIGHLY underrated; one of the best cop movies & Bronson movies of the '80s

Peckinpah's groundbreaking Western was revolutionary not only because of its violence, but because of its inherently amoral characters who you side with anyway. This depiction was not only much more challenging and daring than Bonnie and Clyde (1967) ,which was also a landmark in violence, but stands unique among most films after, since cinema has always strayed away from amoral characters.

Pretty much the greatest action comedy of all time