Lochie Weekes (Lochie Weekes)

I see, Marvel can handle unique features.

Candyman is the definition of a Slasher: dark, gloomy, dreamlike, and, of course, bloody. Yet it’s so much more. It’s psychologically questioning, mind-boggling, and trope-defying. Thanks to the expert portrayals of Virginia Madsen and Tony Todd, this 1992 cult classic has remained one of the most influential and exciting slasher films of all time, garnering in mostly positive reviews and extending across a fully-fledged trilogy, with a reboot on the way. What more can be said about Candyman but that you must watch it for yourself?

This is, quite possibly, the best thing ever.

Sarah Connor? This film was a significant driving force for much of the Sci-Fi landscape seen 5-10 years after its production. Schwarzenegger, who played the titular character effortlessly, was perfectly suited for an emotionless robot - and so, there was little to nothing in the film that hinted towards the well-designed T-800 Terminator giving up its attempts to sabotage, and inherently kill, the human race. On the other hand, Hamilton gave the film a certain tinge of heroicness, and, alongside Biehn's expert performance as the good side of the battle of 2029, the themes of Good vs. Evil never let up. Good film, but recent DVD copies could have been handled a lot better.

I was waiting for this one only for a few days (yes, I was quite excited for a Sandler Halloween movie), but now that I’ve seen it, I have formulated an opinion that is too complex to be explained. Usually, certain films evoke certain emotions for me as an individual. This one was no exception. The raw blend of comedy and drama, and the rich inclusions of classic horror film elements (however humorous they were to be intended) just made me feel at home with the concept of a Happy Madison meets Netflix original. (That’s not to say Netflix originals are generally good to watch, they’re often terrible). I of course noticed a few faults in the film; overarching storyline mishaps and dry comedy with could be interpreted as the “slapstick” genre the film was pitching for, and a few other issues here and there. For the most part, however, I knew what I was getting into — a film perfectly devised for the early October season, setting the scene for a 2020 Halloween that is sure to be remembered for years to come. Not sure this lived up to my expectations, but I sure do feel pretty good about this one. It was certainly what I love: an atmospheric film. Brought to life many aspects of the spooky season I love so much, even if from down in the southern Australia. And I did certainly love the historical clinging to events such as the Salem Witch Trials... that is also appreciated. In my books, in order to deserve a 4, the film needed a bit more originality. It did get pretty tedious and nonsensical, even given the addition of classic actors such as Steve Buscemi and Rob Schneider, but for the most part remained well-put. A decent attempt at a Halloween comedy movie.

I've been a Witcher fan for many years now. I have fond memories of blasting out the upwards of 200 hours of gameplay on Wild Hunt, or just rocketing through the in-depth adventures of the Witcher 1 and 2... the games gave me a solid purpose. Play as Geralt - learn the World of the Witcher - fall in love with it. And after glancing on Netflix one morning after Christmas, I stumbled upon this beauty of a television piece. Imaginative story combined with thorough adaptations of the games... it's just genius! I absolutely adored the series within an episode. Historically accurate in tune with the games, and engaging as well. I highly recommend you watch this - TOSS A COIN TO YOUR WITCHER.