Betsy Frith

I approached this film with a sense of curiosity, being a devoted admirer of Amy Winehouse and her profound influence on a generation, not just as an individual but as a genuine jazz vocalist. Regrettably, I found the film to be lacking in substance, uninteresting, and a poor investment of my resources. The storyline was subpar, merely scratching the surface of Amy's life. The film's attempt to replicate Amy's distinctive voice and mannerisms fell short, with vocals drowned in autotune. The casting choices left much to be desired, giving the impression of a tasteless joke. The fact that it was directed by Sam Taylor Johnson speaks volumes in itself. Crucial aspects of Amy's life, such as her relationships with her mother, Mark Ronson, and close friends who cherished her before her rise to fame, were barely touched upon. I was disheartened by the sensationalized portrayal of Amy's relationship with Blake, overlooking her other significant romantic involvements. The film failed to accurately depict Amy's strength, independence, and immense creativity, reducing her to a mere victim. It seemed more like a money-making scheme, exploiting someone who was clearly struggling and in need of support, rather than honoring her true intentions. Amy was relentlessly pursued by the media during her lifetime, subjected to derogatory headlines and exploitation during her most vulnerable moments. As a genuine admirer, I can confidently say that this film is yet another example of Amy being misunderstood and exploited for the benefit of others' greed and desire to reshape her narrative and rewrite her story .