Ajit Vadapalli

In terms of action, everyone did a good job. But the story contains routine Boyapati mass addiction without even basic sense. Some politician attacks a big family, the hero comes as a saviour. 🤦 This is so routine & boring especially with those gore scenes abusing women and children. Watch when you have lot of free time and have nothing to do.

Pleasant movie that has the potential of taking many viewers into their past and remind them of some broken relationships. Everyone nailed their role to perfection. This movie can be mentioned as an example of how a simple one line story can be transformed into an enthralling viewer experience.

The entertainment part is missing. Prabhas, Amitabh, and Sobhana has a lot of screen presence and they filled it efficiently. But the remaining artists doesn't have much scope for action. Even Brahmanandam garu was not fully used. Many scenes are dragged beyond their scope. Many times, the screenplay and the graphics resembled MadMax, Transformers, or Star Wars. And finally, the Mahabharata episode at the end lacks authenticity. Karna has been highlighted as invincible just to fit the narrative of the movie. In actual Mahabharata, Karna was lost to Arjuna two times before Kurukshetra. Director should have avoided such distortion of epics. Positives: Prabhas, Amitabh Bachchan, Sobhana, Keya Nair. Negatives: No songs, no scope for acting apart from those 4-5 characters, and too much drag in scenes.

Good film. Ravi Teja made it a bit better with his attitude and maturity in acting. Remaining all actors did justice to their roles. Engaging throughout the run time. Of course, theatrics demand exaggeration when the hero's character has to be shown as a global character.

The journey from an adolescent love to a matured love. Story telling is an art and visualization of a story is a bigger art. The director, actors, and all technicians mastered it so well. Though many of us might have seen many love stories, this movie brings some freshness to the audience. The way the adolescent love is portrayed, the way it was carried till the climax is a wonderful story to be seen and cherished. The action of Darshana and the director deserves an award. Pranav Mohanlal, Kalyani Priyadarshan, and Aswath lal brought a grace to the story.

Overhyped movie. Except for the technical stuff, the movie is not even worth watching on a big screen. There are many Telugu actors who can perform better at a better cost than Alia and Ajay. NTR, Charan, and Olivia Morris lived in their characters. Rest all seems artificial. Naatu naatu and Komaram Bheemuda songs are eye catching. Overall, the euphoria of Bahubali got carried over and the fan base of Tarak & Ram Charan worked for the massive collections. If the same story and work is done by any other director without a brand image like Bahubali, it would have been a flop. 1 star for the technical stuff, 2nd star for NTR, Charan, and Olivia Morris.

Family entertainer. A simple love story with comedy studded in between. A sense of good mood prevailed through out the story. Every actor played their role so well. BGM is simple and soothing that brought grace to the scenes.

A very rare genre philosophical movie. The way story was written and presented is so nice and clean. We will be glued to the story for the entire 2 hrs 15 mins. Such a fantastic idea of God. It takes a lot of courage to make movies like this. Hope the director brings some more similar movies. Finally, this movie is not for everyone. This is only for the people who like to try new content apart from the routine commercial movies.

One of my all time favourites. The characterization of Rupa and Anand with same levels of self-confidence and assertiveness takes the movie to another level. It's a debut movie for many cast and director but the movie never looks like that. Music by K.M Radhakrishna and lyrics by Veturi garu takes the movie to a different high.