Occhi Magazine

After becoming successful in the field of acting, Karen Gillan makes her directorial debut in what seems to be an absolute game changer. Gillan is best known for her roles as Nebula in the “Guardians of the Galaxy” film series and Amy Pond in the “Doctor Who” British television series. She plays the role of a completely distorted girl who is struggling to deal with Alistair’s suicide. As part of her brilliant directorial skill, Gillan effortlessly manages to synchronize the current events and relate Liusaidh’s feelings with her past memories. The film constantly jumps back and forth in time, linking Liusaidh’s addictions to her past guilts. The main aspect to consider here is how smoothly the sequence transitions a number of times without irking the viewers. “The Party’s Just Beginning” can easily be considered a one-woman show. In addition to directing the entire film, Gillan brilliantly integrates herself into Liusaidh’s character. Her eyes and facial reactions act as a symbol as to how she is deeply immersed in the role by physically showing signs of Liusaidh’s inner depression. At the same time, she does not let go of an opportunity to make a corny joke to lighten the mood. This perfectly displays Liusaidh’s humorous nature. Liusaidh is a flawed protagonist who ironically ends up being the victim, as well as the hero of the film. Supporting her is the marvelously talented Lee Pace (Dale). His character is somewhat identical to Liusaidh’s best friend, Alistair. Initially having to appear completely normal, Lee uses his skills to efficiently develop his character’s persona to a point where he is about to kill himself in the exact same way. Having co-starred in the “Guardians of the Galaxy” with Gillan, the two have sensational chemistry. During casting, Gillan had expressed her desire to work with Lee. She thought he would be great for the role of Dale, the mysterious transient who forms a relationship with Liusaidh. Essentially, the movie is an indirect awareness campaign that displays the lifestyles of post-traumatic, stressed out individuals who witness unfortunate events such as suicide. Liusaidh’s lifestyle is an example of guilt that can haunt a person who witnesses a tragedy. While having intense dramatic scenes, “The Party’s Just Beginning” sends out a highly important message that society often tends to ignore. That message is based on communication, without judgment, and a scene supports this where Liusaidh opens up to a Dale, who is also battling depression. In that glorious, yet underrated scene, the two exchange their stories and ease up their hearts by means of ventilation through words. From the beginning to the end of the film, Gillan makes a solid statement. Kreng, a Belgium-based project formed by Pepijn Caudron composes the film’s score. Their mastery at dark jazz and vintage sounds add to the mood of the film and supports the tone. In its entirety, the film can be considered a grand debut for Gillan, who surely has a promising career ahead of her. It successfully brings a real-life topic to life, depression, which affects millions worldwide. According to the World Health Organization, “depression is a common mental disorder. Globally, more than 300 million people of all ages suffer from depression. Depression is a common illness worldwide, with more than 300 million people affected. Depression is different from usual mood fluctuations and short-lived emotional responses to challenges in everyday life. Especially when long-lasting and with moderate or severe intensity, depression may become a serious health condition. It can cause the affected person to suffer greatly and function poorly at work, at school, and in the family. At its worst, depression can lead to suicide. Close to 800 000 people die due to suicide every year. Suicide is the second leading cause of death in 15-29-year-olds.” Reviewed by Tiffany Unscripted.