lifeforceinsoul

I give nearly all the episodes applause, the final episode wasn't; most fans would blame the writers decisions of what happens in the plot, when I think it was more the production - that limiting the season down to 6 episodes is what help cause the uproar of the fans; with more episodes there would of been more time and space 'to breath' with each developing outcome in the plot, rather than just squash it in one and let the audience chew on that. Everything that happen I can except from a writer's view due to the excitement and out come of the disaster atmos the characters have to recover and how the game of thrones was changed.

Pointless and disappointing; the series starts with small, but interesting developments that gradually become more bigger adventure, but surprising it seems that the ending was quick and unexplained that the creators didn't want to have answers for the plot. The story is sometimes silly with dragging-on characters but you feel for that the sides of different characters would lead into an interesting development, to a worth-seeing outcome, but no.

After watching the director's (Peter Fonda's) first film, The Hired Hand, I felt impress with his first attempt at motion picture directing. Then to see this, Idaho Transfer, I was more than shock and 'disappointed' with the outcome of how Fonda went about creating it - choosing non-actors speaks for itself in the film as they are as dead and gloomy as the picture quality and atmosphere of the plot. The only noting of good was the cinematography and perhaps the music. But god, do not watch to waste your time with this perfected attempt at small-budget film, it gave Ed Wood more splendour.

The chemistry of this production shows how dreary and disappointing it can become with the pace being slow and amounting to hardly anything. The overdone of colour effect at most parts adds to the dreariness, and puts you off even to a 3 episode margin. The actors try to fit in their shoes the best they can but Spall’s character can hardly earn respect for his existence. The only couple of good notes is some visual interests and wide-scenery atmosphere works only for particularly a few seconds. The drama which it centres on puts you off the hopeful interest of seeing a pure adaptation of Wells’ work and fails to be entertaining.

Overall DISSAPOINTING. The build up to what seems like a different kind of thriller/horror, at first gets respect for its acting, direction and subject. Creeping with excitement to the unveiling moment. Then turns out to be unoriginal for a conspiracy plot; characters change to more action-hero, humorous and less serious than they started. Also, the other disappointing thing is that there isn't a white character involved that serves as a 'not being all the same' meaning to the film, leaving the audience with the grim reality of black people treated by white people hell.

This will get everyone excited for being a sequel, having old-famous stars, and high use of visual colours. But I think it's all delusion due to what really exists underneath with the basic parts of how unoriginal and expecting some of the plot was; Ryan Gosling playing another 'silent character', sucking-on-a-lemon face expression and dying in a Hollywood-tradgey scene moment was cliché. A lot of the visuals of the city and technology seem like rip-offs of the Anime films from the 80s. Mainly it is more dry than it visually shines. But what confuses me the most is why did it win Best Cinematography is most of the picture/scenery is 'CGI' and not real - not TRUE cinematography!!