Sean Chua

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Here's a rundown of Zero: We have a small yarn puppet with the number 0, born into a society teaching him about how worthless he is about his number. Of course, as Zero grows up, his class constantly picks on him, and we see his teacher writing down what seems to depict social classes. His kind was on the bottom, if I remember correctly. Zero felt helpless, but one day, he found another Zero being beaten by a gang. After accidentally toppling a stack of boxes, they begin beating him, and the other Zero helps him. The other Zero is a girl, and the two develop a relationship, but are unfortunately separated after Zero is imprisoned. Eventually, his girlfriend returns to him, and she eventually gives birth to some conjoined twins, with the infinity symbol on them. The conjoined infants they have given birth to form the first person to be infinity, an extremely well-respected number. With this, Zero earns respect. Not to mention, when you think about it, the infinity symbol is like two zeroes tied together, but usually these zeroes are placed vertically. Now, "Zero" is not just another short film telling us not to call different people out. It also speaks about how people are ranked in society. Unfortunately, I do not know much about this, but it sure does have something to say about it. I mean, just look at the teacher and what she drew on the chalkboard.

It was really worth spending 2 entire days to watch this epic. My second and third most favorite parts are probably when Kool-Aid Man joined Club SpongeBob and when Barney dropped Tsar Bomba on Hogwarts. Astronaut Woody Gump Simpson arguably had the most emotional backstory, he lost a sword duel with Bob the Tomato in front of a million British infants. The climax, a battle between 21 universes, was my favorite part of the movie. It was really saddening when Bugs Bunny got assassinated by Mickey Mouse Club agents. This is not a perfect movie, though; I feel like Luigi was very overpowered and I also feel like we could've focused less on the friendship between WALL-E and Gandalf, who both died together after the Titanic fell on Manhattan. They should've cast someone other than Rick Astley for Caillou, because I feel like he is more fit for the Kermit drama movies. Overall, this movie is absolutely heartbreaking, but in the end, Shrek unexpectedly saves the 21 universes. By the end of the movie, I was absolutely frozen, but filled with emotions as I heard the film's closing statement: "I'm Tonald J. Drump, and I approve this movie." Sitting through these 48 hours of what is the greatest movie ever made isn't easy, especially if you cry easily. But it's worth watching, and it's a movie that'll have a special place in your heart forever.

“Minions: The Rise of Gru” proves that there are no limits to art; it is a protest against tradition, especially in relation to art. It truly is one of the greatest and most revolutionary masterpieces of cinema. However, being a very different film, it is only for those who can understand art, for those who believe in freedom, and not traditionalists who believe art is limited. The humor isn’t childish; you need a high amount of knowledge to be able to grasp it. For example, the minions’ “Banana” catchphrase is one traditionalists might find annoying or childish, but in truth, it is very thought-provoking and possibly life-changing; it makes you think of how delicious bananas are, and what they can do for your health. I decided to eat bananas more often, and my life was drastically changed for the better. There are also many toilet jokes used throughout the film; traditionalists say that this is childish, but they’re just not used to this type of humor and don’t have the IQ to comprehend how hilarious it is. After all, humor being “childish” is really a lie that comes from tradition. To traditionalists, Minionese is a strange and funny language. But intellectuals know that it is one of the most unique and beautiful fictional languages, testifying to the effort placed into the worldbuilding of the Minions Cinematic Universe. So, again, if you find Minionese to be weird or silly, you are a traditionalist and don’t understand art. Traditionalists may find the design of Gru to be weird or silly, but it is actually a very unique design that serves as one of his distinguishing qualities. The design of Gru will live on to be a design as historically iconic as those of other animated characters, such as Shrek and SpongeBob SquarePants. And again, unique designs aren’t weird or silly; that is yet another lie of tradition. “Minions: The Rise of Gru” is revolutionary in every way, spitting in the face of the traditional definition of “art” and tradition in general. If you found it stupid or garbage, then I pity you, for you are a blind traditionalist who does not understand art. Intellectuals who do understand art and believe in freedom will give this film the proper appreciation that it deserves. Other Google reviewers are stating that you must dress “formally” if you ever plan to see a screening of “Rise of Gru” in order to respect it, but “formality” is really another illusion created by tradition, the very thing that the film protests against. Do not conform to the lies of tradition; you can come to a screening of “Rise of Gru” in causal clothes, or better yet, no clothes at all. That’s a little more minion-like. Overall, I will give this film an 𓂀^14+ 🍌 instead of a pathetically traditional rating. For the traditionalists who cannot understand my rating, I love this film.

Morbius is the most powerful being in the universe, and here’s why: according to the height of a Mr. Krabs (which is 12 cm on average) Morbius is 4 Mr. Krabs tall, which means he is a godly size of 180.3 cm tall. Second if any of you remember Shrek V: Endgame, you know there is a scene when Waluigi kidnaps Harry Potter and Dhar Mann and shoots a series of Impostors at Morbius, he then dodges them all. According to the speed of an average Impostor (19 sussillion mph) and the size of the Impostor according to his ankle size, Morbius can perceive and move at such a speed that the Impostors only move 6.9 miles per hour, 4.20% of their original speed. Plus after this Morbius drops a Nokia on Pizza Hut and Pizza Hut is grounded for 9999999999 years (go to your room right now) meaning it was probably outpizzad, and to remind you it would require a force greater than 489 morbillion the Rock to outpizza the Hut. That’s equal to the impact created by Shaggy creating the universe by sneezing. I rest my case.

This wasn't a bad way to start the MonsterVerse. We went from some dinosaur-like creature fighting insect-like monsters to it fighting a three-headed dragon, an enormous ape on an island with creatures of different sorts, and a robot that resembles it. I think that this is honestly a reboot worth watching. Godzilla constantly engages in battles with creatures known as the "MUTOs". I think they really did original characters right with these MUTOs. A male, winged MUTO, and a female one calling for each other, and eventually nesting in San Francisco. The male MUTO was a pesky one, to be honest, Godzilla was close to finally defeating the female one, but then he had to cling onto his back. It was satisfying to see him savagely whip the male into a building, resulting in its death. But it was especially epic to see Godzilla use his atomic breath against the female MUTO, causing its head to come off. It would really give perspective on how powerful Godzilla is. This film also gives people a good introduction to those unfamiliar with this famed kaiju franchise. Of course, the biggest problem with this movie (in my, and many others' opinions) is Godzilla's screen time. The human protagonist, a soldier constantly encountering the MUTOs, receives more screen time, and even the MUTOs themselves get more screen time than Godzilla. Godzilla doesn't appear fully until about an hour into the film in Honolulu. And, during the whole scene in Honolulu, we have him saving people from the male MUTO. After we finally see Godzilla fully, it just cuts off. Still the correct way to introduce a character, and we still have more room for screentime...right? Well, unfortunately, not much of this room was used. Godzilla appears once again and snaps the Golden Gate Bridge. Soldiers begin shooting him, and its honestly stupid how they use tiny bullets against these enormous creatures in movies. Anyways, still a reboot worth watching. You can feel chills when Godzilla is in Chinatown and about to confront the female MUTO. During the fight with the female MUTO, Godzilla's dorsal fins light up, and then, for the first time in the film, a blue beam of radiation emerges from his very mouth. After seeing this, fans of Godzilla viewing this movie for the first time can be assured that the King has returned.

Do you like thinking deep, or specifically, philosophy? Well, then, have you ever thought about how this entire universe is temporary? Indeed, nothing is permanent, not even the mark influential people like MLK Jr. have left on this earth. And that is what "Modern Times Forever" reminds us of. It is not only a terrifying reminder, but a sad one. It explores how the headquarters of a company that creates paper will slowly deteriorate over time, because, well, time is the killer of all things. The headquarters deteriorating might as well affect the paper company itself, which would probably thus create an effect on the production of paper. And, of course, we all need paper. For things like...books. Think about it. There won't be as much books anymore. But that's only one thing. Many things that come out of paper would be gone because of this. And, not to mention, buildings are a good example of how much we have advanced, and this headquarters building is just one in many buildings. This building is very beautiful, and houses a massive company. But this advancement in human society will eventually be gone, and it is terrifying. Just gets you thinking about how temporary everything is. About how time is the killer of all things. I'd recommend this to all who think deep.

I discovered this short story on Lexia, and it was my introduction to O. Henry. O. Henry lived quite a life of crime, from what I remember, and wrote short stories with twists as well. "After Twenty Years" focuses on a man named "Bob" in New York City, waiting to meet his friend. He is waiting by a restaurant, a restaurant where he last met his friend, Jimmy Wells. The two of them strangely agreed to meet at this restaurant twenty years later. Bob talked to a police officer who happened to be walking by. Jimmy apparently went to the West. Eventually, the two found each other. Bob listened to Jimmy as he talked about his life. SPOILERS AHEAD Sorry, just adding an extra sentence to block out more spoilers. Read the story for yourself if you wanna know the ending. Seriously, this story is amazing, and you do not want to hear the twist! Another sentence to block out spoilers. . . . . . . . . . Okay, I'll stop now. Bob suddenly realizes that Jimmy...isn't Jimmy. Why? Because, as Bob explains, twenty years is a long time, but not enough to change the shape of a man's nose. As it turns out, who we thought was Jimmy was a mere plainclothes officer, who was arresting Bob. Bob turned out to be a criminal from Chicago, who fled to New York, as Chicago cops feared. The officer then gave Bob a note from the real Jimmy, which explained that Jimmy was the officer Bob talked to at the beginning of the story. He was indeed an officer, and realized Bob was the man wanted by Chicago cops. He didn't have the heart to arrest his friend, though (also revealing that Jimmy is a cop), so he had the plainclothes officer do the job. I love how odd the story is, with two friends planning to meet each other after twenty years. And this is indeed an amazing twist. I was overjoyed when the apparent "Jimmy Wells" came over to talk with Bob. And if you were hoping for them to meet happily, too, you might as well consider this to be a tragedy, because they met in the wrong way.

Everything (or Every thing) is all that exists; the opposite of nothing, or its complement. It is the totality of things relevant to some subject matter. Without expressed or implied limits, it may refer to anything. The Universe is everything that exists theoretically, though a multiverse may exist according to theoretical cosmology predictions. It may refer to an anthropocentric worldview, or the sum of human experience, history, and the human condition in general. Every object and entity is a part of everything, including all physical bodies and in some cases all abstract objects. In ordinary conversation, everything usually refers only to the totality of things relevant to the subject matter. When there is no expressed limitation, everything may refer to the universe, or the world. The Universe is most commonly defined as everything that physically exists: the entirety of time, all forms of matter, energy and momentum, and the physical laws and constants that govern them. However, the term "universe" may be used in slightly different contextual senses, denoting such concepts as the cosmos, the world or Nature. According to some speculations, this universe may be one of many disconnected universes, which are collectively denoted as the multiverse. In the bubble universe theory, there is an infinite variety of universes, each with different physical constants. In the many-worlds hypothesis, new universes are spawned with every quantum measurement. By definition, these speculations cannot currently be tested experimentally, yet, if multiple universes do exist, they would still be part of everything. Especially in a metaphysical context, World may refer to everything that constitutes reality and the Universe: see World (philosophy). However, world may "only" refer to Earth envisioned from an anthropocentric or human worldview, as a place by human beings. In theoretical physics Main article: Theory of everything In theoretical physics, a theory of everything (TOE) is a hypothetical theory that fully explains and links together all known physical phenomena. Initially, the term was used with an ironic connotation to refer to various overgeneralized theories. For example, a great-grandfather of Ijon Tichy—a character from a cycle of Stanisław Lem's science fiction stories of the 1960s—was known to work on the "General Theory of Everything". Over time, the term stuck in popularizations of quantum physics to describe a theo

It's a very underappreciated movie. In this movie, we see nothing but the Empire State Building. It really captures the advancements of human society and architecture, though. Just think about that one beautifully famous and recognizable building. We were men living in caves, and painting with rocks. Then we built this building, which is pretty much the only thing shown in the film for like a billion hours. But I was on the edge of my seat when the lights turned on! It shocked me, and it shocked the audience, too! How we managed to do this to our own buildings! And, eventually, we hear the sounds of the city, from the coughs of smokers to sounds of fighting and crime, and police sirens, too. Sounds how a city should sound. And it's perfect. The most suspenseful movie ever. You should definitely give this masterpiece of a movie a try.

"It's a kids show!" And that exactly explains why it is bad. With this cartoon character having a show targeted at a young audience, we have a bad role model for children. We all know that Caillou is bratty and throws tantrums. He cries because his toy car broke. I was disappointed when my little Volkswagen Beetle broke, but imagine throwing a massive tantrum over it. He also pinched his little sister out of mere jealousy. This kid makes Post-Movie SpongeBob look like the most sophisticated adult you can imagine. Watch "Sesame Street" for a children's show you'll actually learn from. This show just presents a terrible role model.