Yusufpasha Peerjade

This has been one of the most painful experiences I've had watching a kannada movie. Nothing works right from the dialogues to conversations between the lead pair, non lipsyncing character artists, loudest music which makes you want to rip your ears out, nonsensical story with no logic or motive, nothing hits the right spot. The lead character Arka has a motive only until a certain point, but he goes on a killing spree taking down everyone and capturing everything without any logic, there's no motive behind anything he does. Shivanna's entry is so bizarre that he is completely wasted. That scene(Actually entire movie) gives a new meaning to "Kuch bhi" Such movies spoil the image created by KGF and Kantara which try and improve kannada cinema industry standards. Such movies are an insult to their efforts. Final Verdict: Loud, loudest, and then Ravi Basrur

"The Shining" by Stanley Kubrick explores the question of who is the reliable observer and whose ideas of events can be trusted. The opening scene at a job interview introduces Jack Torrance, a man who plans to live in solitude with his wife and son at the snowbound Overlook Hotel. His employer warns him about a former caretaker who murdered his wife and two daughters, but Jack assures him that this will not happen. His wife, a confirmed ghost story and horror film addict, is likely to be fascinated by the story. Jack, Wendy, and Danny move into a hotel during winter shutdown, where the chef, Dick Hallorann, explains the food storage locker. They are left alone, and Jack works tirelessly at his typewriter, while Wendy and Danny create a routine of everyday life, including breakfast cereal, toys, and TV. The three don't seem to function as a loving family, as they are constantly occupied with their daily routines. The question remains whether people will talk about real tragedies or if Jack will ever tell his wife about it. Danny, a reliable witness, is influenced by Tony, who channels psychic input, including a vision of blood spilling from hotel elevators and two matching girls. However, these visions may not accurately represent the actual events. Wendy, a companion and playmate for Danny, has a matter-of-fact banality similar to Shelley Duvall's "3 Women." She tries to cheer Jack up until he abruptly stops interrupting his work. Wendy later discovers the reality of his work, and is reliable at that moment and later when she bolts Jack into the food locker after he becomes violent. The opening shots of Jack wending his way up the Colorado mountains are a sign of what's to come. The eerie Moog interpretation of Hector Berlioz's Symphonie fantastique, the mirroring of the landscape against a placid lake, and the breathless whoosh of the camera are all signs of what's to come. With Steadicam mounts, Kubrick experiments with how a constantly roving camera can unmoor an audience. Even in the benign early scenes of Jack heading to the interview or the Torrance clan getting a tour of the hotel, it feels like a game of chicken. As the Torrance's settle into The Overlook for the winter and a snowstorm severs their connection to the outside world, the madness that quickly seizes Jack ramps up a whole strategy of disorientation. Kubrick makes a joke out of titles announcing different days of the week, as if time has any meaning in isolation. The geography of The Overlook is impossible to map, with the kitchen, living quarters, Gold Room, upper floors, and Room 237 all distinct spaces that are impossible to connect. Final Verdict: A masterpiece of psychological horror

I find it sad that so many people are so narrow-minded that they will not watch a movie that is black and white or, in this case, is subtitled. I feel sorry for people who refuse to watch a movie like Life Is Beautiful just because it is a foreign film. They have no idea what a beautifully acted and directed film this is, and they'll never know what an amazing experience they are missing. Life Is Beautiful manages to walk the extremely thin line between humor, fantasy, and tragedy. Sure, the film is clearly comedic, but nevertheless it manages to very effectively communicate the tremendous losses suffered in the Nazi concentration camps and has scenes at least as intense as any scene in Schindler's List. This is one of the best films that I have ever seen. It manages to be so encompassing that you hardly notice the subtitles are even there. I proudly cast my vote of 10. Final Verdict: Funny, entertaining, and amazingly intense and dramatic.

Many people see "Jean-Claude Van Damme" in the lead and you think this another stupid, no-brainer action flick and guess what? It is! BUT, it is also a very entertaining film, kind of ripoff of the old "Most Dangerous Game" storyline....and, if you can suspend belief for 90-100 minutes, you'll be vastly entertained....and that's the name of the game, folks. Some of the action scenes are outrageous and big-time "Rambo" mentality, meaning an entire arsenal that could wipe out a small country is used against our hero and never seems to kill him! People are being shot in the streets but no is ever around in the middle of the day but the killers and victims? Usually that stuff annoys me, but I didn't seem to mind in this movie. In fact, it fits. Despite the lack of credibility, Van Dame standing on top of a speeding motorcycle as it heads towards an onrushing car, and later dodging all kinds of pretty neat weapons as he tries to help Yancy Butler, is just fun. John Wood-directed films tend to be ridiculously exaggerated and loud, so that's what you get. I am not a fan of many of his films, but I am of this one. It's pure macho madness with a Lance Henriksen doing what he does best: be an incredibly-nasty and brutal villain. An added bonus in here - a real hoot - is old man Wilfred Brimley as Van Damme's French uncle who comes to his nephew's aid. Add a great blues soundtrack and you have a great film to feed your male hormones with when needing to be fed some gratuitous violence. Final Verdict: Call It What You Will, But It IS Entertaining!

If there was one word that I could use to describe Martin Scorsese's "Goodfellas": it'd be priceless. A surreal and deeply fascinating take on life of Henry Hill who was involved in the Mob for three decades and his rise throughout the time span (and Nicholas Pileggi's book "Wiseguy"). There isn't a single moment in the movie where it doesn't miss a beat, you could only tell by the atmosphere of the time period and it seems so real. The performances in this film simply make it even more memorable and how the characters are portrayed here especially by Ray Liotta, Robert De Niro, Joe Pesci (who won an Oscar for Best Supporting Actor), and Paul Sorvino are believable and easy to understand that they were a family, very close and tightly knit to the core. Also, how director Martin Scorsese lets the movie pace itself and keeps the viewer off guard in what happens deserves a lot of credit. Final Verdict: One word: priceless.

Please don't watch.it only gives you headache. Worst movie I have watched recently. Na sir na pair storyline. Worst humour. Totally time waste . Movie is so bad I immediately came here to write about it. I can't stopped myself to save entire movie lovers . I don't believe it's a Raju Hirani movie .overacting by srk is painful. Story is blunder. Forced laughter. Unbelievable childish type story and forced humour makes you cry. After watching 20 minutes long I just punched myself. Still they are doing such type of stuff in movie. I can't believe it. Save your time and money and electricity and your precious mood . Final Verdict: Worst movie !

Maui, a demigod, steals the cornerstone of all creation: the heart of Te Fiti, resulting in the slow destruction of the ancient Polynesian islands. Moana, an island chieftain's daughter, must find Maui and set things right. "When you write using a bird's beak, it's called tweeting," declares Maui - an ancient demigod who has no business referencing Twitter. His charm is lost on Moana, but in this moment, you realize the kind of goofiness you're in for. The story comes from a Polynesian myth. Goddess Te Fiti creates all life and takes the form of an island. Maui (Dwayne Johnson), a shapeshifting hero, then steals her heart (a piece of glowing rock), bringing a curse upon all the surrounding islands. In the process, he also loses his magical fish hook and is rendered superpower-less. Moana (Auli'i Cravalho), the princess of one such affected island, is chosen by the ocean to find Maui and restore the heart of Te Fiti. On paper, Moana is a quintessential Disney story: there's an aspirational princess; a flawed hero, quirky comic reliefs (a senile grandma, a brainless chicken); the promise of a happy ending and most importantly, the golden message of chasing what your heart desires. It's a narrative triumph, which is ironic, because the central idea itself is unoriginal to the core. One can't help but wonder: will we ever experience journey-away-from-home-to-find-metaphorical-treasures fatigue in animated films? You find big spoonfuls or tiny traces of it in almost all modern animation classics from Finding Nemo to Up to Inside Out, and Moana makes no efforts to take any detours. However, the movie chugs along with breathtaking animation, adorable interactions between the strong-willed girl and the hilariously self-obsessed demigod, and songs that make you shimmy involuntarily. There's even a Mad Max: Fury Road-inspired battle scene. Moana literally means 'the ocean' and as the heroine conquers her namesake, she also conquers your heart. You won't regret setting sail and voyaging with her. Final Verdict: Great Animation Movie

The film is beautifully made with good acting. However many atrocities of the terrorists have not been revealed (maybe they were worried about the time constraints). They could have increased the length maybe by 15-30 minutes and would have included the beginning of this so called "rebellion" and how they brainwash the youth into joining it. That's why a 9/10. Don't read those nonsensical reviews by these self proclaimed reviewers because their truth has also been revealed in this movie. A must watch for all. It will clear all your doubts about how these self proclaimed (and to be honest bought by money) professors justify atrocities to common people like us. And if not for some honest officers how we could all end up destroying our motherland. Final Verdict: A brilliant take on the true nature of the communist/Maoists terrorism in the name of rebellion. 📽📽📽📽📽🎬🎬🎬🎬👍👍👍👍

This movie shows how women are recruited to be sent to IS. The whole journey is way too disturbing! But young girls must watch this movie so that they dont believe everything in the name of love. Adah Sharma nailed the show!!! The background music could have been better though. The other supporting characters were bringing the best in Adah Sharma. If you are looking for a masala movie then it is not your cup of tea. It is based on a very sensitive topic. It will make you uncomfortable. The people in India act too sophisticated to not discuss what all is happening in the name of religion. We must make ourselves comfortable and stop fearing that we are judged if we speak the truth about the conversion games. Final Verdict: Young girls must watch this movie!!

Munjya is a film that will leave you speechless and yearning for more. This beautifully crafted cinematic masterpiece tells a poignant story of love, loss, and self-discovery, set against the stunning backdrop of rural India. From the opening scene, it's clear that Munjya is something special - a film that will touch your heart and soul. The cast delivers performances that are raw, honest, and heart-wrenching, bringing depth and nuance to their characters. The lead actors shine brightly, bringing a level of vulnerability and emotion to their roles that's rare to see on screen. The supporting cast is equally impressive, adding layers to the narrative and making the world of Munjya feel fully realized. The cinematography is breathtaking, capturing the rustic charm of the countryside and the intensity of the human emotions. Each frame is a work of art, with a level of detail and care that's evident in every shot. The film's use of natural light and color palette adds to its visual beauty, making Munjha a feast for the eyes. But what truly sets Munjha apart is its storytelling. The narrative is layered with themes that resonate deeply, making it a relatable and impactful watch. The film tackles complex issues with sensitivity and nuance, never shying away from the harsh realities of life. And yet, it's also a film of great hope and beauty, finding light in the darkest of places. One of the standout aspects of Munjya is its pacing. The film takes its time to unfold, never rushing the narrative or sacrificing character development for the sake of plot. The result is a film that feels fully realized, with each scene building on the last to create a rich tapestry of storytelling. Overall, Munjya is a masterpiece that will touch your heart and soul. With its exceptional performances, stunning visuals, and powerful storytelling, it's a must-watch for anyone who loves great cinema. Don't miss this hidden gem - seek it out and experience it for yourself. Final Verdict: A Cinematic Masterpiece - Munjya Will Leave You Spellbound